Difference between revisions of "Rudolf Arnheim"

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* ''Film als Kunst'', Berlin: Rowohlt, 1932. {{de}}
 
* ''Film als Kunst'', Berlin: Rowohlt, 1932. {{de}}
 
** ''[http://monoskop.org/log/?p=5228 Film as Art]'', University of California Press, 1957, 230 pp. {{en}}
 
** ''[http://monoskop.org/log/?p=5228 Film as Art]'', University of California Press, 1957, 230 pp. {{en}}
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** ''[http://aaaaarg.fail/thing/51c5856f6c3a0e090c210f00 Le cinema est un art]'', trans. Francoise Pinel, Paris: L'Arche, 1989. {{fr}}
  
 
* ''Picasso's Guernica'', University of California Press, 1962; 1974. {{en}}
 
* ''Picasso's Guernica'', University of California Press, 1962; 1974. {{en}}

Revision as of 00:14, 5 September 2015

Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are Visual Thinking (1969), The Power of the Center: A Study of Composition in the Visual Arts (1982), and Art and Visual Perception: A Psychology of the Creative Eye (1954). He lived in Germany, Italy, England, and the United States.

Works

Books
  • Toward a Psychology of Art, University of California Press, 1949; 1966. (English)
  • Film als Kunst, Berlin: Rowohlt, 1932. (German)
  • Picasso's Guernica, University of California Press, 1962; 1974. (English)
  • Radio: An Art of Sound, trans. Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936; New York: Arno Press, 1971, 287 pp. (English)
  • The Dynamics of Architectural Form, University of California Press, 1977. (English)

Selected articles

Literature

  • Ian Verstegen, Arnheim, Gestalt and Art: A Psychological Theory, Vienna: Springer, 2005. (English)

Links