Difference between revisions of "Hal Foster"
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* ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings: Art, Spectacle, Cultural Politics]]'', Seattle: Bay Press, 1985. | * ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings: Art, Spectacle, Cultural Politics]]'', Seattle: Bay Press, 1985. | ||
* ''Compulsive Beauty'', MIT Press, 1995. | * ''Compulsive Beauty'', MIT Press, 1995. | ||
| − | * [[Media:Foster_Hal_ed_Vision_and_Visuality.pdf|''Vision and Visuality'']], Seattle: Bay Press, 1987, 134 pp. Essays by Jay, Crary, Krauss, Bryson, Rose. | + | * editor, [[Media:Foster_Hal_ed_Vision_and_Visuality.pdf|''Vision and Visuality'']], Seattle: Bay Press, 1987, 134 pp. Essays by Jay, Crary, Krauss, Bryson, Rose. |
* ''The Return of the Real'', 1996. | * ''The Return of the Real'', 1996. | ||
* editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000. | * editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000. | ||
Revision as of 16:40, 5 May 2015
Harold Foss "Hal" Foster (1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.
Works
- The Mink's Cry, Seattle: Bay Press, 1982.
- editor, The Anti-Aesthetic: Essays on Postmodern Culture, Seattle: Bay Press, 1983.
- Recodings: Art, Spectacle, Cultural Politics, Seattle: Bay Press, 1985.
- Compulsive Beauty, MIT Press, 1995.
- editor, Vision and Visuality, Seattle: Bay Press, 1987, 134 pp. Essays by Jay, Crary, Krauss, Bryson, Rose.
- The Return of the Real, 1996.
- editor, with Gordon Hughes, Richard Serra, MIT Press, 2000.
- Design and Crime (And Other Diatribes), 2002; 2nd ed., 2011.
- Prosthetic Gods, MIT Press, 2004, 455 pp.
- The Art-Architecture Complex, Verso, 2011, EPUB.
- with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG, IA; 2nd ed., rev., 2012, 816 pp. [1] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Dahlberg (2006).
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011.
