Difference between revisions of "Hal Foster"
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==Works== | ==Works== | ||
| − | * ''The Mink's Cry'', Bay Press, 1982. | + | * ''The Mink's Cry'', Seattle: Bay Press, 1982. |
| − | * editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], Bay Press, 1983. | + | * editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], Seattle: Bay Press, 1983. |
| − | * ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985. | + | * ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings: Art, Spectacle, Cultural Politics]]'', Seattle: Bay Press, 1985. |
* ''Compulsive Beauty'', MIT Press, 1995. | * ''Compulsive Beauty'', MIT Press, 1995. | ||
| − | * [[Media: | + | * [[Media:Foster_Hal_ed_Vision_and_Visuality.pdf|''Vision and Visuality'']], Seattle: Bay Press, 1987, 134 pp. Essays by Jay, Crary, Krauss, Bryson, Rose. |
* ''The Return of the Real'', 1996. | * ''The Return of the Real'', 1996. | ||
* editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000. | * editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000. | ||
* ''Design and Crime (And Other Diatribes)'', 2002; 2nd ed., 2011. | * ''Design and Crime (And Other Diatribes)'', 2002; 2nd ed., 2011. | ||
* ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp. | * ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp. | ||
| − | * ''The Art-Architecture Complex'', Verso | + | * ''The Art-Architecture Complex'', Verso, 2011, [http://gr.aaaaarg.org/thing/52e095413078883d2700004a EPUB]. |
| − | * with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', | + | * with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [http://gr.aaaaarg.org/ref/a050ef6306cdefebd5ded69ecd5e891c#0.01 ARG], [http://archive.org/details/HalFosterRosalindKraussArtSince1900ModernismAntimodernismAndPostmodernism IA]; 2nd ed., rev., 2012, 816 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006). |
* ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011. | * ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011. | ||
==Links== | ==Links== | ||
* http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | * http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | ||
Revision as of 16:33, 5 May 2015
Harold Foss "Hal" Foster (1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.
Works
- The Mink's Cry, Seattle: Bay Press, 1982.
- editor, The Anti-Aesthetic: Essays on Postmodern Culture, Seattle: Bay Press, 1983.
- Recodings: Art, Spectacle, Cultural Politics, Seattle: Bay Press, 1985.
- Compulsive Beauty, MIT Press, 1995.
- Vision and Visuality, Seattle: Bay Press, 1987, 134 pp. Essays by Jay, Crary, Krauss, Bryson, Rose.
- The Return of the Real, 1996.
- editor, with Gordon Hughes, Richard Serra, MIT Press, 2000.
- Design and Crime (And Other Diatribes), 2002; 2nd ed., 2011.
- Prosthetic Gods, MIT Press, 2004, 455 pp.
- The Art-Architecture Complex, Verso, 2011, EPUB.
- with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG, IA; 2nd ed., rev., 2012, 816 pp. [1] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Dahlberg (2006).
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011.
