Difference between revisions of "Hal Foster"

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* ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp.
 
* ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp.
 
* ''The Art-Architecture Complex'', Verso Books, 2011.
 
* ''The Art-Architecture Complex'', Verso Books, 2011.
* with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', New York: Thames & Hudson, 2011. [http://www.columbia.edu/cu/arts/vad/critical_issues_on_art/artsince1900_intros.pdf Excerpts]
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* with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', New York: Thames & Hudson, 2011, [https://archive.org/details/HalFosterRosalindKraussArtSince1900ModernismAntimodernismAndPostmodernism IA]. [http://www.columbia.edu/cu/arts/vad/critical_issues_on_art/artsince1900_intros.pdf Excerpts]
 
* ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'',  Princeton University Press, 2011.
 
* ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'',  Princeton University Press, 2011.
  
 
==Links==
 
==Links==
 
* http://en.wikipedia.org/wiki/Hal_Foster_(art_critic)
 
* http://en.wikipedia.org/wiki/Hal_Foster_(art_critic)

Revision as of 09:43, 7 April 2015

Harold Foss "Hal" Foster (1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.

Works

  • The Mink's Cry, Bay Press, 1982.
  • editor, The Anti-Aesthetic: Essays on Postmodern Culture, Bay Press, 1983.
  • Recodings: Art, Spectacle, Cultural Politics, Bay Press, 1985.
  • Compulsive Beauty, MIT Press, 1995.
  • Vision and Visuality, Discussions in Contemporary Culture, Bay Press, Dia Art Foundation, Seattle, 1988.
  • The Return of the Real, 1996.
  • editor, with Gordon Hughes, Richard Serra, MIT Press, 2000.
  • Design and Crime (And Other Diatribes), 2002; 2nd ed., 2011.
  • Prosthetic Gods, MIT Press, 2004, 455 pp.
  • The Art-Architecture Complex, Verso Books, 2011.
  • with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York: Thames & Hudson, 2011, IA. Excerpts
  • The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011.

Links