Difference between revisions of "Hal Foster"
Jump to navigation
Jump to search
Sorindanut (talk | contribs) |
|||
| Line 2: | Line 2: | ||
==Literature== | ==Literature== | ||
| − | * ''The Mink's Cry'', Bay Press, 1982 | + | * ''The Mink's Cry'', Bay Press, 1982. |
| − | * [ | + | * editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], Bay Press, 1983. |
| − | * ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985 | + | * ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985. |
| − | * ''Compulsive Beauty'', MIT Press, 1995 | + | * ''Compulsive Beauty'', MIT Press, 1995. |
| − | * [[Media:Hal_Foster_Vision_and_Visuality_(Discussions_in_Contemporary_Culture)_1988.pdf|''Vision and Visuality, Discussions in Contemporary Culture'']], Bay Press, Dia Art Foundation, Seattle, 1988 | + | * [[Media:Hal_Foster_Vision_and_Visuality_(Discussions_in_Contemporary_Culture)_1988.pdf|''Vision and Visuality, Discussions in Contemporary Culture'']], Bay Press, Dia Art Foundation, Seattle, 1988. |
| − | * ''The Return of the Real'', 1996 | + | * ''The Return of the Real'', 1996. |
| − | * '' | + | * editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000. |
| − | * ''Design and Crime (And Other Diatribes)'', 2002 | + | * ''Design and Crime (And Other Diatribes)'', 2002; 2nd ed., 2011. |
| − | * ''Prosthetic Gods'' | + | * ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp. |
| − | * ''The Art-Architecture Complex'', Verso Books, 2011 | + | * ''The Art-Architecture Complex'', Verso Books, 2011. |
* with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', New York: Thames & Hudson, 2011. [http://www.columbia.edu/cu/arts/vad/critical_issues_on_art/artsince1900_intros.pdf Excerpts] | * with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', New York: Thames & Hudson, 2011. [http://www.columbia.edu/cu/arts/vad/critical_issues_on_art/artsince1900_intros.pdf Excerpts] | ||
| − | * ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011 | + | * ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011. |
==Links== | ==Links== | ||
* http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | * http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | ||
Revision as of 08:40, 7 April 2015
Harold Foss "Hal" Foster (born August 13, 1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.
Literature
- The Mink's Cry, Bay Press, 1982.
- editor, The Anti-Aesthetic: Essays on Postmodern Culture, Bay Press, 1983.
- Recodings: Art, Spectacle, Cultural Politics, Bay Press, 1985.
- Compulsive Beauty, MIT Press, 1995.
- Vision and Visuality, Discussions in Contemporary Culture, Bay Press, Dia Art Foundation, Seattle, 1988.
- The Return of the Real, 1996.
- editor, with Gordon Hughes, Richard Serra, MIT Press, 2000.
- Design and Crime (And Other Diatribes), 2002; 2nd ed., 2011.
- Prosthetic Gods, MIT Press, 2004, 455 pp.
- The Art-Architecture Complex, Verso Books, 2011.
- with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York: Thames & Hudson, 2011. Excerpts
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011.
