Difference between revisions of "Hal Foster"
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* ''Prosthetic Gods'' (October Books), MIT Press, 2004 | * ''Prosthetic Gods'' (October Books), MIT Press, 2004 | ||
* ''The Art-Architecture Complex'', Verso Books, 2011 | * ''The Art-Architecture Complex'', Verso Books, 2011 | ||
| − | * with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', New York: Thames & Hudson, 2011. | + | * with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', New York: Thames & Hudson, 2011. [http://www.columbia.edu/cu/arts/vad/critical_issues_on_art/artsince1900_intros.pdf Excerpts] |
* ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011 | * ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011 | ||
==Links== | ==Links== | ||
* http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | * http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | ||
Revision as of 08:12, 7 April 2015
Harold Foss "Hal" Foster (born August 13, 1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.
Literature
- The Mink's Cry, Bay Press, 1982
- The Anti-Aesthetic: Essays on Postmodern Culture, 1983
- Recodings: Art, Spectacle, Cultural Politics, Bay Press, 1985
- Compulsive Beauty, MIT Press, 1995
- Vision and Visuality, Discussions in Contemporary Culture, Bay Press, Dia Art Foundation, Seattle, 1988
- The Return of the Real, 1996
- Richard Serra, edited by Hal Foster with Gordon Hughes, essays (October files), The MIT Press, 2000
- Design and Crime (And Other Diatribes), 2002 (2nd. edition 2011)
- Prosthetic Gods (October Books), MIT Press, 2004
- The Art-Architecture Complex, Verso Books, 2011
- with Rosalind Krauss, Yve-Alain Bois and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York: Thames & Hudson, 2011. Excerpts
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011
