Difference between revisions of "Hal Foster"
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* ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985 | * ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985 | ||
* ''Compulsive Beauty'', MIT Press, 1995 | * ''Compulsive Beauty'', MIT Press, 1995 | ||
| − | * ''Discussions in Contemporary Culture'', | + | * [[Media:Hal_Foster_Vision_and_Visuality_(Discussions_in_Contemporary_Culture)_1988.pdf|''Vision and Visuality, Discussions in Contemporary Culture'']], Bay Press, Dia Art Foundation, Seattle, 1988 |
* ''The Return of the Real'', 1996 | * ''The Return of the Real'', 1996 | ||
* ''Design and Crime (And Other Diatribes)'', 2002 (2nd. edition 2011) | * ''Design and Crime (And Other Diatribes)'', 2002 (2nd. edition 2011) | ||
Revision as of 11:54, 15 January 2014
Harold Foss "Hal" Foster (born August 13, 1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.
Literature
- The Mink's Cry, Bay Press, 1982
- The Anti-Aesthetic: Essays on Postmodern Culture, 1983
- Recodings: Art, Spectacle, Cultural Politics, Bay Press, 1985
- Compulsive Beauty, MIT Press, 1995
- Vision and Visuality, Discussions in Contemporary Culture, Bay Press, Dia Art Foundation, Seattle, 1988
- The Return of the Real, 1996
- Design and Crime (And Other Diatribes), 2002 (2nd. edition 2011)
- Prosthetic Gods (October Books), MIT Press, 2004
- The Art-Architecture Complex, Verso Books, 2011
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011
