Difference between revisions of "Lev Kuleshov"
Jump to navigation
Jump to search
Sorindanut (talk | contribs) |
Sorindanut (talk | contribs) |
||
| Line 15: | Line 15: | ||
* ''The Horizon'', 1932. | * ''The Horizon'', 1932. | ||
* [http://www.youtube.com/watch?v=dB_vXTMsixI&list=PLQhwT21-4AoPtSNgLVRcQmgYHo9HwXllY ''The Great Consoler''], 1933. | * [http://www.youtube.com/watch?v=dB_vXTMsixI&list=PLQhwT21-4AoPtSNgLVRcQmgYHo9HwXllY ''The Great Consoler''], 1933. | ||
| − | * ''We from the Urals'', 1943. | + | * ''We from the Urals'', 1943 with Alexandra Khokhlova. |
==Literature== | ==Literature== | ||
Revision as of 15:20, 9 January 2014
Lev Vladimirovich Kuleshov (Russian: Лев Влади́мирович Кулешо́в; 13 January 1899 – 29 March 1970) was a Soviet filmmaker and film theorist who taught at and helped establish the world's first film school, the Moscow Film School.
Filmography
- The Project of Engineer Prite, 1918. [1]
- An Unfinished Love Song, 1919.
- On the Red Front, 1920.
- The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, 1924.
- The Death Ray, 1925.
- Locomotive No. 10006, 1926.
- By the Law, 1926.
- Your Acquaintance, 1927.
- The Merry Canary, 1929.
- Two-Buldi-Two, co-directed with Nina Agadzhanova, 1929.
- Forty Hearts, 1931.
- The Horizon, 1932.
- The Great Consoler, 1933.
- We from the Urals, 1943 with Alexandra Khokhlova.
Literature
- John MacKay, "Built on a Lie: Propaganda, Pedagogy, and the Origins of the Kuleshov Effect", in The Oxford Handbook of Propaganda Studies, 2013, pp 215-232.
