Difference between revisions of "Series:Aesthetics"
Jump to navigation
Jump to search
(New page: ; Writings * [http://a.aaaarg.org/text/2362/politics-aesthetics-aesthetics-politics Jacques Rancière (2006) - The Politics of Aesthetics / The Aesthetics of Politics] * [http://radical.te...) |
|||
| (One intermediate revision by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | + | ==Writings== | |
* [http://a.aaaarg.org/text/2362/politics-aesthetics-aesthetics-politics Jacques Rancière (2006) - The Politics of Aesthetics / The Aesthetics of Politics] | * [http://a.aaaarg.org/text/2362/politics-aesthetics-aesthetics-politics Jacques Rancière (2006) - The Politics of Aesthetics / The Aesthetics of Politics] | ||
* [http://radical.temp.si/2009/06/artistic-activism-and-agonistic-spaces-by-chantal-mouffe/ Chantal Mouffe (2007) - Artistic Activism and Agonistic Spaces]<br>Scrutinizing the ‘new spirit of capitalism’ Luc Boltanski and Eve Chiapello have shown how the demands for autonomy of the new movements of the 1960’s had been harnessed in the development of the post-Fordist networked economy and transformed in new forms of control. The aesthetic strategies of the counter-culture: the search for authenticity, the ideal of self-management, the anti-hierarchical exigency, are now used in order to promote the conditions required by the current mode of capitalist regulation, replacing the disciplinary framework characteristic of the Fordist period. Nowadays artistic and cultural production play a central role in the process of capital valorization and, through ‘neo-management’, artistic critique has become an important element of capitalist productivity. | * [http://radical.temp.si/2009/06/artistic-activism-and-agonistic-spaces-by-chantal-mouffe/ Chantal Mouffe (2007) - Artistic Activism and Agonistic Spaces]<br>Scrutinizing the ‘new spirit of capitalism’ Luc Boltanski and Eve Chiapello have shown how the demands for autonomy of the new movements of the 1960’s had been harnessed in the development of the post-Fordist networked economy and transformed in new forms of control. The aesthetic strategies of the counter-culture: the search for authenticity, the ideal of self-management, the anti-hierarchical exigency, are now used in order to promote the conditions required by the current mode of capitalist regulation, replacing the disciplinary framework characteristic of the Fordist period. Nowadays artistic and cultural production play a central role in the process of capital valorization and, through ‘neo-management’, artistic critique has become an important element of capitalist productivity. | ||
* [http://a.aaaarg.org/text/3044/altermodern Nicholas Bourriaud (2009) - Altermodern] | * [http://a.aaaarg.org/text/3044/altermodern Nicholas Bourriaud (2009) - Altermodern] | ||
| − | + | ==Books== | |
| − | + | * [http://burundi.sk/monoskop/log/?tag=aesthetics Books about aesthetics at Monoskop/log] | |
Latest revision as of 09:57, 3 December 2011
Writings[edit]
- Jacques Rancière (2006) - The Politics of Aesthetics / The Aesthetics of Politics
- Chantal Mouffe (2007) - Artistic Activism and Agonistic Spaces
Scrutinizing the ‘new spirit of capitalism’ Luc Boltanski and Eve Chiapello have shown how the demands for autonomy of the new movements of the 1960’s had been harnessed in the development of the post-Fordist networked economy and transformed in new forms of control. The aesthetic strategies of the counter-culture: the search for authenticity, the ideal of self-management, the anti-hierarchical exigency, are now used in order to promote the conditions required by the current mode of capitalist regulation, replacing the disciplinary framework characteristic of the Fordist period. Nowadays artistic and cultural production play a central role in the process of capital valorization and, through ‘neo-management’, artistic critique has become an important element of capitalist productivity. - Nicholas Bourriaud (2009) - Altermodern
Books[edit]
This series currently contains no pages or media.
