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| − | == Artists ==
| + | #REDIRECT [[Slovakia#Sound_art_.281960s-2000s.29]] |
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| − | [[Milan Dobeš]], [[Alex Mlynárčik]], [[Milan Adamčiak]], [[Róbert Cyprich]], [[Transmusic Comp]] (1989-96), [[Juraj Ďuriš]], [[Lengow & HEyeRMEarS]], [[CUCU Ensemble]]. | |
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| − | == Exhibitions ==
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| − | '''Polymúzický priestor I.''', 1970 in Piešťany. Concept by L Kár.<br>
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| − | '''Touch to Connect''', 1985–1989, relaunched in 1997. Concept by [[Ladislav Snopko]] and [[Zuzana Bartošová]].<br>
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| − | '''Image and Music''', 1989-90. Curated by [[Ivan Jančár]] and [[Zuzana Martináková]].
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| − | == Works ==
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| − | '''The Pulsating Rhythm''', 1963. [[Milan Dobeš]]. Sound manipulated on the basis of the synchronization of impulses.<br>
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| − | '''A Cathedral of Humanism''', 1968. [[Stanislav Filko]]. Exhibited at the international exhibition Danuvius ’68. The synthetic environment that utilized concrete music (sounds reproducing radio broadcast).<br>
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| − | '''Chafing''', 1969. [[Milan Adamčiak]] and [[Róbert Cyprich]]. Created the musical component of Alex Mlynárčik's event in the High Tatras.<br>
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| − | '''Miss Pogana’s Flirt''', 1969. [[Alex Mlynárčik]]. Exhibited in Apollinaire Gallery in Milan, Italy. (1934) in his homage to Constantin Brâncuşi used plastic eggs that emitted ringing sounds after being set in motion by spectators. Interactive environment changing, through a visitor’s gesture, was not merely the constellation of objects but also the acoustic quality of space.<br>
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| − | '''Water Music''', 1969. [[Milan Adamčiak]] and [[Róbert Cyprich]]. Music project that modernized Georg Friedrich Händel’s original composition; together with Jozef Revallo, the piece was performed at the indoor swimming-pool of the college dormitory Juraja Hronca in Bratislava.<br>
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| − | '''Spring Union''', 1970. [[Milan Adamčiak]]. Created the musical components of [[Jana Želibská]]'s event in Dolné Orešany.<br>
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| − | '''The Yellow Environment''', 1970. [[Milan Adamčiak]]. Created the musical components of [[Jarmila Čihánková]]'s event at the exhibition Polymúzický priestor I. in Piešťany.<br>
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| − | '''The Wheelwork of Time''', 1970. [[Vladimír Môťovský]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. Sculpturesque object in the shape of a clattering mill.<br>
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| − | '''A Dwelling-Place''', 1970. [[Andrej Goliáš]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. <br>
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| − | 1970. [[Ivan Štěpán]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. Optophonic space consisting of the synchronization of visual, acoustic, and architectural elements.<br>
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| − | '''Three Graces''', 1970. [[Róbert Cyprich]]. Participated musically at the [[Alex Mlynárčik]]'s project at the I. Otvorený ateliér in Bratislava.<br>
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| − | '''Acousticon''', 1970. [[Alex Mlynárčik]], [[Miroslav Filip]] and [[Viera Mecková]]. Project was begun but left unfinished; it had been intended as a programmed musical instrument whose sound depended on the movement of the spectator on an ascending and descending spiral. <br>
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| − | 1971. [[Milan Dobeš]]. Wrote a special light-kinetic program for the American Wind Symphony Orchestra to accompany symphonic compositions by T. Mayazumi and Krzysztof Penderecki (a series of concerts in the United States).
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| − | 1989. [[Milan Adamčiak]]. At the exhibition The Basement in Bratislava. Extensive installation consisting of sound objects and musical instruments constructed primarily from found materials.<br>
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| − | '''The Schrattenberg Sprite''', 1991. [[Miloš Boďa]] and [[Juraj Ďuriš]]. Interactive acoustic object.<br>
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| − | '''Travelling Art Museum – Musical Ecofacts and Artifacts from the Eocene to the Futurocene''', 1997. [[Lengow & HEyeRMEarS]]. For the symposium Kép-Ze-Let at the Mining Museum in Tatabánya. Sound object oscillating between a sound object and a conceptual visual acoustic installation.
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| − | == Articles ==
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| − | Michal Murin: The Seeing Ear - Sound Object and Instalations II, http://www.radioart.sk/frames.php?url=http%3A//www.radioart.sk/doc/soundart/inx_ucho_eng.html
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| − | {{MediaartinSlovakia}}
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