Difference between revisions of "Post-internet music"

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* Michael Waugh, [https://sci-hub.st/10.1017/S0261143017000083 "'My laptop is an extension of my memory and self': Post-Internet identity, virtual intimacy and digital queering in online popular music"], ''Popular Music'' 36:2, Cambridge University Press, 2017.
 
* Michael Waugh, [https://sci-hub.st/10.1017/S0261143017000083 "'My laptop is an extension of my memory and self': Post-Internet identity, virtual intimacy and digital queering in online popular music"], ''Popular Music'' 36:2, Cambridge University Press, 2017.
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* Bas Grasmeyer, [https://medium.com/music-x-tech-x-future/postinternet-music-8a1301b52119 "Post Internet Music"], Medium.com, February 12 2018.
  
 
* Adam Harper, [https://www.redbull.com/int-en/evolution-post-internet-music "Charting the Evolution of Post-Internet Music"], ''Redbull.com'', 3 Oct 2018.
 
* Adam Harper, [https://www.redbull.com/int-en/evolution-post-internet-music "Charting the Evolution of Post-Internet Music"], ''Redbull.com'', 3 Oct 2018.

Revision as of 13:36, 28 October 2024

Names

  • Post-Internet Music
  • Post Internet Music


Artists & Creatives

  • Fatima Al Qadiri
  • Kai (Kari) Altmann aka Hitashya
  • Maya Arulpragasam aka M.I.A.
  • Claire Boucher aka Grimes
  • Holly Herndon
  • PC Music

Curators, Writers and Theorists

Events

Exhibitions & Catalogues

Discussions & Panels

Publications

Books

Magazines, Journals, Blogs

Post-Internet Sound, a crowdsourced database of sound and music works started by Holly Herndon & Jennifer Walshe in 2015.

Videos, Podcasts, Radio

Essays, Articles, Book Chapters

Theses

Conferences & Symposia

See Also

Post-internet Art, New World, Post-Digital, Interculturalism, Transculturalism, Third Culture, New Materialism