Difference between revisions of "Kai Altmann"
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* Conceptual Art | * Conceptual Art | ||
* Ceremonial Art | * Ceremonial Art | ||
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* Performance Art | * Performance Art | ||
* Installation Art | * Installation Art | ||
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* Post-Institution | * Post-Institution | ||
* Social Media | * Social Media | ||
| − | * Digital Art and Media | + | * Digital Art and New Media |
* Music Videos | * Music Videos | ||
* Ecofeminism | * Ecofeminism | ||
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* Global Futurism | * Global Futurism | ||
* Spirituality and Consciousness | * Spirituality and Consciousness | ||
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Revision as of 13:12, 2 May 2023
Contents
- 1 Names
- 2 Mediums
- 3 Genres and Movements
- 4 Projects
- 5 Biography
- 6 Solo Exhibitions, Performances, Projects, Releases and Screenings
- 7 Curated and Organized Projects
- 8 Group Exhibitions, Performances, Projects, Releases and Screenings
- 9 Events
- 10 Talks
- 11 Interviews
- 12 Artist Essays and Editorials
- 13 Books
- 14 Other Releases
- 15 Magazines, Blogs, Journals
- 16 Essays
- 17 Theses
- 18 Primary References
- 19 See Also
Names
- Kai Altmann
- Kari Altmann
- Hitashya
Mediums
- Installation, Performance, Video, Painting and Drawing, Photography, Objects, Text, Music, Websites, Social Media
Genres and Movements
- Conceptual Art
- Ceremonial Art
- Abstract Art
- Performance Art
- Installation Art
- Health & Healing Arts
- Post-Production Art
- Ambiguationism
- Post-Institution
- Social Media
- Digital Art and New Media
- Music Videos
- Ecofeminism
- Intersectional Feminism
- Queer Studies
- DIY
- Post-Western Art, Music and Film
- Post-Internet Art and Music
- New World Art, Music, Film and Culture
- Indofuturism and Desifuturism
- Global Futurism
- Spirituality and Consciousness
- Worlding
Projects
Biography
Solo Exhibitions, Performances, Projects, Releases and Screenings
- HITASHYA, "Jua Kali", Endless EP, Goa and Online, 2022
- FLEXIA XLE: Oasis III, Three Terra by XLE.LIFE, Anjuna, Goa, India and Online, 2022
- HITASHYA, "Tear Up La Tierra", Endless EP, Online, 2020
- TTOA: Native Arrangement II, Final Hot Desert, USA and Online, 2020
- SOFT MOBILITY: Monsoon Season (Precious Cargo), N22, Bangkok, 2019
- FLEXIA XLE: Oasis I, Garage Gallery, Prague, August 2019
- TTOA & SOFT MOBILITY, Forde, Geneva, 2018
- XOMIA, Ellis King Gallery, Dublin and Online, 2015
- SMART MOBILITY, 131 Chrystie, New York, 2012
- CORE SAMPLES, Extra Extra, Philadelphia and Dis Magazine, New York and Online, 2011
Curated and Organized Projects
- XLE.LIFE, Editorial and Curatorial Platform, Videos, Social Media, Experiences and more, Global and Online, 2018-.
- GARDEN CLUB, Editorial and Curatorial Platform, Global and Online, 2011-.
- TROPING, Curatorial Projects, Online, 2010-.
- R-U-In?S, Editorial and Curatorial Platform, Global and Online, 2008-.
Group Exhibitions, Performances, Projects, Releases and Screenings
Events
Talks
- Kari Altmann Artist Talk, Artists Space, New York, 21 May 2015. Invited by Hito Steyerl as part of her solo exhibition. Speakers: Kai (Kari) Altmann, Ruth Saxelby. Moderated by Ruth Saxelby.
Interviews
- Jean Kay, Kai (Kari) Altmann, An Interview with Kari Altmann", AQNB, 5 Jun 2014.
Artist Essays and Editorials
- Kai (Kari) Altmann, "Core Samples Back End", Dis Magazine, 2012.
Books
Other Releases
Magazines, Blogs, Journals
Essays
Theses
- Andreas Ervik, Evolving Images: Attraction and Dispersion on the Tumblr Blog Garden Club, Oslo: University of Oslo, 2015, 103 pp. Master's thesis.
- Ceci Moss, Expanded Internet Art and the Informational Milieu, New York: University of New York, 2015. PhD dissertation.
- Ellen Wagner, False Signals: Strategies of Mimicry in Post-Internet Art, Offenbach: Offenbach University, 2019, PhD Thesis
