Kai Altmann

Names

• Kai Altmann
• Kari Altmann
• Hitashya or #HXYA

Mediums

• Installation, Performance, Video, Film, Music, 3D, 4D, Painting and Drawing, Photography, Digital Media, Objects, Sculpture, Text, Poetry, Lyrics, Vocals, Websites, Social Media, AI, Algorithms

Genres and Movements

• Conceptual Art
• Ceremonial Art
• Abstract Art
• Performance Art
• Installation Art
• Health & Healing Arts
• Post-Production Art
• New Materialism
• Ambiguationism
• Meta Abstraction
• Algorithms and AI
• Post-Institution
• Post-Digital
• Post-Internet
• Post-Media Sculpture
• 3D and 4D
• Post-Conceptual Art
• Pan-Optic
• Painting and Drawing
• Digital Painting
• Video Painting
• 3D and 4D Painting
• AI Painting
• Pop Culture
• Pop Music
• Social Media and Content
• Memetics and Memes
• Digital Art and New Media
• Digital Nomad
• Decolonization & Indigenous Studies
• Music Videos
• Video Art
• Eco-feminism
• Intersectional Gender Studies
• Queer Studies
• DIY Culture
• Sci-Fi
• Post-Western Art, Music and Film
• Post-Internet Art and Music
• New World Art, Music, Film and Culture
• Indofuturism and Desifuturism
• MENASA or SWANA Futurism
• Global Futurism
• Tropical Futurism
• Holistic Futurism
• Emergent Futurisms and Co-Futurisms
• Spirituality and Consciousness
• Meditative & Contemplative Arts
• Worlding
• Unlearning
• Re-Worlding

Geography

• Baltimore, USA, 2004-2012.
• New York, USA, 2009-2017.
• London, UK, 2014.
• Amsterdam, Netherlands, 2015.
• Mumbai (Bombay), India, 2017-.
• Goa, India, 2017-.
• Other places mentioned: Berlin, Athens, Cairo, Istanbul, Paris, Milan, Bilbao, Geneva, Prague, Bucharest, Dubai, Abu Dhabi, Jaipur, Udaipur, Delhi, Kathmandu, Angkor, Pnomh Penh, Bangkok, Chiang Mai, Koh Samui, Ho Chi Minh City, Seoul

Solo Exhibitions, Performances, Projects, Releases and Screenings

• Core Samples, Performance and Installation, Extra Extra, Philadelphia and Dis Magazine, New York and Online, 2011. Artist Essay on Dis Magazine Link. Coverage by WhiteHot Magazine Link, ArtBlog Link, Pipeline Magazine, etc.
• Vital Content: R-U-In?S, Performance, Screening and Discussion, Union Docs, New York, 21 Oct 2012.
• Smart Mobility: Essence of Entity, Performance and Installation, 131 Chrystie, New York, 2012. Curated by Matthew Arkell and DV Caputo. Re-performed and installed in Chelsea Sound Festival, New York, 2012, and Style is the Tailor group show at American Medium, New York, 2012.
• "First Look: Soft Mobility Abstracts", New Museum, New York and Online, 2014. "Sneak peek" at a series in development. Curated by Lauren Cornell.
• XOMIA (Return Home, Real Flow, All Terrain), Performance and Installation, Ellis King Gallery, Dublin and Online, 27 Mar-2 May, 2015. Introduction Essay by Harry Burke. Coverage by ThisisTomorrow Link, AQNB Link, OFluxo, Aesthetica Magazine, Cura Magazine, XOM Magazine, Galleries Now, Elephant Magazine, Etc. Additional performers Colin Self and Molly Mccommons.
• TTOA & Soft Mobility, Performance and Installation, Forde, Geneva, 2018. Gallery Info. Written Interview. Video Interview. Booklets.
• FLEXIA XLE: Oasis I, Performance and Installation, Garage Gallery, Prague, 1-30 Aug 2019. Gallery Info.
• Soft Mobility: Monsoon Season (Precious Cargo), Performance and Installation, N22, Bangkok, 2019.
• TTOA: Native Arrangement II, Final Hot Desert, USA and Online, 2020. Interview. Coverage by Antimateria Link, OFluxo Link, ArtViewer Link, Tzvetnik Link, EarthSciences Link, JournalFYI Link, LMLOM Link, HSE Art & Design School Link Link, Etc.
• Hitashya, "Tear Up La Tierra", Endless EP, Online, 2020
• FLEXIA XLE: Oasis III, Performance and Installation, Three Terra by XLE.LIFE, Anjuna, Goa, India and Online, 2022.
• Hitashya, "Jua Kali" Video, Endless EP, Goa and Online, 2022
• Hitashya, "Tear Up La Tierra" Video, Endless EP, Online, 2023

Curated and Organized Projects

• R-U-In?S, Editorial and Curatorial Platform, Experiences and Spaces, Global and Online with major activity in Baltimore and New York, 2008-. Catalogues 001 & 002.
• SW, Feminist, Queer and Identity-Focused Chat and Meetup Group for Creatives. Community Moderator, Facilitator and Curator, US, UK and Europe with major activity in New York, London, Berlin, 2010-2015. Lexicon. Spinoffs.
• Garden Club, Editorial and Curatorial Platform, Experiences and Spaces, Global and Online, 2011-. Field Guide.
• Troping, Curatorial Projects, Online and In Spaces with major activity in New York, London, 2013-.
• Hitashya, "Flourish & Thrive", Playlists and Mixes, Various Platforms, 2017-.
• XLE.LIFE, Editorial and Curatorial Platform, Experiences and Spaces, Global and Online with major activity in Mumbai, Goa, Bangkok, Dubai, 2018-.
• Hitashya, New World Music, Various Platforms, Spotify, Youtube, XLE.LIFE, etc. 2020-.

Group Exhibitions, Performances, Projects, Releases and Screenings

2024

• New World Mayday, Radio Alhara, Bethlehem, London and Online. Curated by Lae Carbon-Wilson aka Laedybrrd and Kai (Kari) Altmann aka Hitashya.
• New World Mayday, Central Saint Martins, London.

2023

• Kaleido: Unraveling Intelligence, Hasliberg-Reuti and Zurich, Switzerland, Aug 15-19. Including Dr. Nitin Bathla, Dr. Melanie Rieback, Jenniffer Kae, Clarissa Hurst, Dr. Peter Asaro, Janne Raun and many more. Curated by Naveen Shamsudhin. "We are crafting new forms of ecological (nature) and social (human) intelligences to navigate the changing ecological and sociopolitical systems that contain us. Some of us are exploring and revisiting perennial intelligences and wisdom through spiritual and somatic work. How can we unravel, recognize and utilize these different dimensions of intelligence?"

2019

• Get Well Soon, Kunsthaus Nürnberg, 7 Dec 2019-1 March 2020. Works by AIDS-3D (Keller & Kosmas), Kai (Kari) Altmann, Llyn Folkes and Stanya Kahn, Daniel Kiss, Linda Weiß, Benjamin Zuber. Curated by Ellen Wagner. "Works are collected together that deal with the recuperation of the human body as well as others forming a bridge to the healing of the ecosystem or society as a whole."

2017

• Why Exhibit Works of Art?, CSMVS Museum, Mumbai, 2017. Curated by Clark House.

• Hybrid Layers, ZKM, Karlsruhe, June 2017-Jan 2018. Works by: Kai (Kari) Altmann, Iain Ball, Enrico Boccioletti, Holly Childs, Claire L. Evans, Stefanie Hessler, Joey Holder, Yuri Pattison, Nadim Samman, Manuel Scheiwiller, Viktor Timofeev, Elvia Wilk, Sophia Al Maria, Auto Italia South East, Glass Bead, Ricardo Benassi, Blunt x Skensved, Aleksandra Domanovic, Ed Fornieles, Guan Xiao, Yngve Holen & Aedrhlsomrs Othryutupt Lauecehrofn, Rachel de Joode, Delia Jürgens, Daniel Keller, La Plage, Lawrence Lek, Metaphysics (Beteiligte KünstlerInnen: Eddie Peake, Florian Meisenberg, Anne de Vries, Rubén Grilo, Jack Strange und Anna K.E.; produziert von: Philip Hausmeier), Katja Novitsokva, Tabita Rezaire, Unknown Fields, Anne de Vries, Yu Honglei. Curated by Giulia Bini, Sabiha Keyif, Daria Mille, and Philipp Ziegler.

• Held Together With Water, Le Commun and Other Venues, Geneva, 2017. Works by: Kai (Kari) Altmann, Art & Language, Mathieu Arbez-Hermoso, Sacha Béraud, Erik Boulatov, Roxane Bovet, Nicolas Brulhart, Dayna Casey, Mathieu Copeland, Cuss Group, Anne-Laure Franchette, Gilles Furtwängler, Charlotte Laubard, Anders Karlsson, Elise Lammer, Jonas Lund, Sébastien Mennet, Nastasia Meyrat, Yoan Mudry, NONu, Camilla Paolino, Civic Paths, Steve Roggenbuck, Tiziana Terranova, Lawrence Weiner, Arnaud Wohlhauser, Emilia Yang. Curated by Roxane Bovet. "By associating the tools, experiments, and ethics of early conceptual artists, with those of the participative web’s new knowledge communities, Held Together With Water attempts to link together similar developments from different times in history. This exhibition tries to stand aside from the generational acceptation of a new aesthetic; from the hashtag “post-Internet” and from its global interpretation."

2016

• Geologos Space, Komplot, Brussels and Online, 8 Sept-8 Oct 2016. Works by: Kai (Kari) Altmann, Iain Ball, Enrico Boccioletti, Holly Childs, Claire L. Evans, Stefanie Hessler, Joey Holder, Yuri Pattison, Nadim Samman, Manuel Scheiwiller, Viktor Timofeev, Elvia Wilk. Curated by Blunt x Skensved. Installation Shots. Also included as hanging lightbox installation in Hybrid Layers.
• Natura.exe, group screening in conjunction with Pascual Sisto’s exhibition Plllla Plllla, Agreements to Zinedine, Milan, Italy. Curated by Pascual Sisto.
• Clean Music, Kunstbunker Nurnburg, Nurnburg, 27 Jun-31 Jul 2016. Works by Kai (Kari) Altmann, Hermann Gabler, Aaron Graham, Gizela Mickiewicz, Oa4s, Vincent Vulsma, Robin Waart, Jana Winderen. Curated by Mitchell Thar.
• Notes on Gesture, Siobhan Davies Dance Studio, London, Aug-Nov 2016. Works by Kai (Kari) Altmann, Darcy Lange, Bruno Munari, Paul Elliman, Heather Phillipson, Rebecca Warren, William Anastasi and more. Also includes archival materials from collections such as the V&A and the Warburg Institute. Curated by Jeremy Millar. "Artist Jeremy Millar considers the impact and status of a gesture and constellation of gestures, as a performance or as 'moments', and curates a poetic exhibition..."

2015

• Biennial of the Americas, Museum of Contemporary Art, Denver, 14 Jul-30 Aug 2015. Works by Kim Allen, Diego Berruecos, Zach Blas, Mariana Castillo Deball, Marcelo Cidade, Donna Conlon and Jonathan Harker, Sterling Crispin, Debora Delmar Corp., Radamés “Juni” Figueroa, LaToya Ruby Frazier, Coco Fusco, Marcius Galan, Anna Bella Geiger, David Hartt, Karl Haendel, Kai (Kari) Altmann as Hitashya, Sarah Anne Johnson, André Komatsu, Robert Longo, Jorge Macchi, Laleh Mehran and Chris Coleman, Adam Milner, Aliza Nisenbaum, Fernando Ortega, Bernardo Ortiz, Adam Pendleton, Tania Pérez Córdova, Joaquín Segura, Skawennati, Eduardo Terrazas, and Ryan Trecartin. Curated by Lauren Wright.

• Cookie Gate, Ellis King Gallery, Dublin, 10 Jul-15 Aug 2015. Works by Kai (Kari) Altmann, Gretchen Bender, boychild, Lizzi Bougatsos, Mathis Collins, Kate Cooper, Natalie Dray, Jack Early, Elif Erkan, Awol Erizku, Ryan Estep, Gina Folly, Timothy Furey, Louisa Gagliardi, Thea Govorchin, Daiga Grantina, May Hands, Fiona Hallinan, Bernhard Hegglin, Zak Kitnick, Melanie Matranga, Flavio Merlo, Adriana Minoliti, Ebecho Muslimova, Oisin O’Brien, Grear Patterson, Billy Rennekamp, Emanuel Rossetti, Eoghan Ryan, Yves Scherer, Stefan Tcherepnin, Amalia Ulman. Curated by Ellis King.

• Uncurated, Museo del Chopo, Mexico City. Organized by Gibrann Morgado.

2014

• Material Images, Johannes Vogt Gallery, New York, 6 Mar-4 April, 2014. Works by Kai (Kari) Altmann, Trudy Benson, Petra Cortright, Franklin Evans, Lauren Luloff, Michael Manning, Jessica Sanders, Kate Steciw, Rebecca Ward, Jeff Zilm. Curated by Nate Hitchcock. "The show aims to investigate how the fact that images are no longer what they seem is expressed in current art-making."

• Art Post-Internet, Ullens Center for Contemporary Art, Beijing, 1 Mar-11 May 2014. Works by Aids-3D, Kai (Kari) Altmann, Cory Arcangel, Alisa Baremboym, Bernadette Corporation, Dara Birnbaum, Juliette Bonneviot, Nicolas Ceccaldi, Tyler Coburn, Petra Cortright, Simon Denny, Aleksandra Domanović, Harm van den Dorpel, Ed Fornieles, Calla Henkel and Max Pitegoff, Joel Holmberg, GCC, Josh Kline, Oliver Laric, LuckyPDF, Tobias Madison and Emanuel Rossetti, Marlie Mul, Katja Novitskova, Marisa Olson, Jaakko Pallasvuo, Aude Pariset, Seth Price, Jon Rafman, Jon Rafman and Rosa Aiello, Rachel Reupke, Bunny Rogers, Hannah Sawtell, Ben Schumacher, Timur Si-Qin, Hito Steyerl, Artie Vierkant, Lance Wakeling, Andrew Norman Wilson, Jordan Wolfson. Curated by Karen Archey and Robin Peckham. Catalogue. Booklet. Video presentation. Reviews: Folks (AQNB), Nastasijevic (Widewalls).

• Brands--Concept/Affect/Modularity, Salts Center, Basel, 6 Apr-21 May 2014. Works by Kai (Kari) Altmann, Florian Auer, David Jablonowski, Pierre Lumineau, Metahaven, Pamela Rosenkranz, Anne de Vries. Curated by Melanie Bühler.

• Extinction Marathon, Serpentine Gallery, London, 18-19 Oct 2014. Extinct.ly portion featuring works and new commissions by Kai (Kari) Altmann, Ed Atkins, Kev Bewersdorf, David Blandy, Benjamin Bratton, Keller Easterling, Femke Herregraven, Folder (Marco Ferrari, Elisa Pasqual, Pietro Leoni, Delfino Sisto Legnani, Alessandro Mason), Emily Jones, Maurizio Lazzarato, Lisa Ma, Alex Mackin Dolan, Timothy Morton, Julian Olivier, Tobias Revell, Ubermorgen, Michael Wang, Liam Young, Anna Zett. Curated by Ben Vickers, Curator of Digital. Extinction Marathon curated by Hans Ulrich Obrist.

• Troping: Realflow I, The White Building, London, 2014. Performances by Emily Jones, Nkisi, Hitashya (Kai Altmann). Curated by Kai (Kari) Altmann. "Realflow invites artists to work in a live one-night event context, to perform their work in an in-person way, be it through readings, presentations, dj sets, music, or other actions."

• Megarave, Kunsthaus Langenthal, Langenthal, 2014. Works by Kai (Kari) Altmann, Alan Bogana, Adam Cruces, Aleksandra Domanović, Constant Dullaart, etoy.CORPORATION, Nicolas Fernandez, Daniel Keller, Olia Lialina / Dragan Espenschied, Vince Mckelvie, Lorna Mills, MSHR, Lauris Paulus, Nicolas Sassoon, Station Rose, Rudolf Steiner, Jan Vorisek, Hannah Weinberger, Giselle Zatonyl& X‑Mix, Rave Flyers, THEswissTHING / Barbara Strebel. Curated by Raffael Dörig. Featuring a local (and glocal) physical translation of Kai's work, Resting Point, an installation which only existed as a proposal image circulating online.

• Garden Club: Singapore Magic Energy (Rapidshare), Telok Kurau Studios, Singapore, 2014. Work by: Kai (Kari) Altmann in collaboration with curator and artist Aida Dolrahim. Curated by Aida Dolrahim.

• BYOP (Bring Your Own Plant), Wizard Gallery, Oslo, 9-25 May, 2014. Works by Andreas Ervik, Espen Friberg, Øivin Horvei, Bjørn-Henrik Lybeck, Andreas Meinich, Rapidshare (Kai Altmann, Garden Club), Jasper Spicero and Jessica Williams. Curated by Andreas Ervik.

• Idle Screenings, Los Angeles and Online. Curated by Mitch Trale.

2013

• Open Shape 1, 2 and 3, 2013. Works by Juliette Bonneviot, Filip Olszewski + Dylan Abel, Yngve Holen, Ilya Smirnov, Kai (Kari) Altmann, Timur Si-Qin, Iain Ball, Alex Dolan, Bunny Rogers, Lenox Twins, Bea Fremderman, Kareem Lotfy, Katja Novitskova, Matthew Johnston & Max Werner, Jasper Spicero. Curated by Jasper Spicero.

• #FutureMyth, 319 Scholes, New York 18 Apr-5 May 2013. Works by: Kai (Kari) Altmann, Matthew Arkell, Iain Ball, Enrico Boccioletti, Manuel Bürger, Sterling Crispin, Claire L. Evans, Ryan Whittier Hale, Erin Henry, Emily Jones, Taylor Kuffner, Paul Laffoley, Kareem Lotfy, Jonas Lund + Sebastian Schmieg, Einar Öberg, Rafaël Rozendaal, Jasper Spicero, Tanner Family, and Clement Valla + Erik Berglin. Curated by Daniel Leyva and Christina Latina.

• Troping: The Jailbreak Gesture I, Online 2013. Works by: Samin Son, Jasper Spicero, Aude Pariset, Kai (Kari) Altmann. Curated by Kai (Kari) Altmann. "The Jailbreak Gesture explores the vital nature of language inside extreme systemic limitations."

• Yoga Center, Titanik Gallery, Turku, 22-25 Aug 2013. Part of Antagon. Works by: Kai (Kari) Altmann + Garden Club, Maja Cule, Essi Kausalainen, Brenna Murphy, Jaakko Pallasvuo, Renaissance Man. Curated by Daniel Iinatti, Ida Lehtonen & Pontus Westerberg.

• Neuromast: Certainty, Uncertainty and Contemporary Art, Franklin Street Works, Stamford, 12 Dec 2013-23 Feb 2014. Works by: Kai (Kari) Altmann, Christian Bök and Micah Lexier, Ingrid Burrington, Kaye Cain-Nielsen, Mircea Cantor, hint.fm, David Horvitz, Brian House and Jason Rabie, Juliana Huxtable, Thilde Jensen, Carolyn Lazard, M. M. Mantua, Preemptive Media, Robert Spahr, Elizabeth Stephens and Annie Sprinkle’s Sexecology collaboration, and The Waterwhispers Ilse. Curated by Taliesin Gilkes-Bower and Terri C Smith. "several shared themes arose among the thirty-one works, including: how culture and gender contribute to constructing identity; the dynamic between an individual’s health and the medical industry, commerce, or the natural environment; and the collection and distribution of digital information as it relates to business, personal security, and persona."

2012

• Collect the WWWorld: The Artist As Archivist in the Internet Age, House for Electronic Arts, Basel, 9 Mar-20 May 2012. Works by Alterazioni Video, Kai (Kari) Altmann, Kevin Bewersdorf, Luca Bolognesi, Adam Cruces, Aleksandra Domanovic, Harm van den Dorpel, Constant Dullaart, Hans-Peter Feldmann, Elisa Giardina Papa, Travis Hallenbeck, Admir Jahic & Comenius Röthlisberger, Jodi, Olia Lialina & Dragan Espenschied, Guthrie Lonergan, Eva and Franco Mattes, Alexandra Navratil, Seth Price, Jon Rafman, Claudia Rossini, Evan Roth, Travess Smalley, Ryan Trecartin. Curated by Domenico Quaranta. Catalogue with essays and additional text by Domenico Quaranta, Josephine Bosma, Joanne McNeil and Gene McHugh.

• Motion, Seventeen Gallery, London, 17 May-23 June, 2012. Works by Kai (Kari) Altmann, Merce Cunningham, Harm van den Dorpel, Michael Guidetti, Oliver Laric, Mark Leckey, Sean Raspet, Emanuel Rossetti, Hito Steyerl, Artie Vierkant. Curated by Ceci Moss and Tim Steer. "The object that exists in motion spans different points, relations and existences but always remains the same thing. Like the digital file, the bootlegged copy, the icon, or Capital it reproduces, travels and accelerates, constantly negotiating the different supports that enable its movement."

• Global Art Forum Six, Art Dubai 2012, Mathaf: Arab Museum of Modern Art, Doha and Madinat Jumeirah, Dubai, March 2012. Commissioned Video by Kai (Kari) Altmann + Ayshay (Fatima Al Qadiri) Presented by Victoria Camblin. GAF6 Curated by Shumon Basar. GAF6 Also Included Over 50 Contributers: Goldin + Senneby, Douglas Coupland, Hans Ulrich Obrist, Michael Rakowitz, Sophia Al Maria, Michael Govan, Sultan Suood Al Qasemmi, Yasmine El Rashidi, Sophie Fiennes, etc.

• Biennial of Young Artists, Bucharest, 2012. Program Curated by Lea Rasovksy, Matei Samihaian and Silvia Saitoc. Works by: Kai (Kari) Altmann & Fatima Al Qadiri, Damon Zucconi, Aleksandra Domanovic and others. "In trying to make sense of the current conditions of art production and of the formal aspects embedded in the different mediums that aid this production, we've devised the concept of OddPoetics as a way to engulf the separate practices that deal with the preconditions or the source code of cultural artifacts."

• Health, Twelve Around One, London, 2012. Works by Kai (Kari) Altmann, Joel Beach, Samuel Fouracre and Marlie Mul. Curated by Majed Aslam.

• Collect the WWWorld: The Artist as Archivist in the Internet Age, 319 Scholes, New York, 18 Oct-24 Nov 2012. Works by Alterazioni Video, Kai (Kari) Altmann, Gazira Babeli, Kevin Bewersdorf, Aleksandra Domanovic, Constant Dullaart, Elisa Giardina Papa, Travis Hallenbeck, Jason Huff, Jodi, Olia Lialina & Dragan Espenschied, Eva and Franco Mattes, Oliver Laric, Jon Rafman, Ryder Ripps, Evan Roth, Ryan Trecartin, Brad Troemel, Penelope Umbrico, Clement Valla. Curated by Domenico Quaranta and Link. Catalogue with essays and additional text by Domenico Quaranta, Josephine Bosma, Joanne McNeil and Gene McHugh.

• Style is the Tailor, American Medium, New York, 26-28 Nov, 2012. Works by Kai (Kari) Altmann, Benjamin Phelan, Borna Sammak, Travess Smalley. Curated by Josh Pavlacky and Daniel Wallace.

2011

• R-U-In?S Underground Economies, Atelier 35, Bucharest, 10 Jun 2011. Works by Kai (Kari) Altmann, Iain Ball, Matteo Giordano, Sam Hancocks and Sebastian Moyano. Curated by Kai (Kari) Altmann, Matei Samihaian and Silvia Saitoc. "Images and objects pulled into a communal blackmarket of critical attitudes."

• Land Art For A New Generation, Showroom MAMA, Rotterdam, 18 Jun-7 Aug 2011. Works by Aram Bartholl, Artie Vierkant, Coralie Vogelaar & Teun Castelein, Dennis de Bel, Jeremy Wood, JODI, Juliette Bonneviot, Kai (Kari) Altmann, Constant Dullaart. "The starting point for the project is the fact that the analog and digital are now so closely interwoven. ... The exhibition centers on a generation of artists dealing with themes such as (digital) decay and the continuous processing of vast amounts of information. They all share an interest in the creation of new databases at the interface of the physical object and immaterial digital culture."

• R-U-In?S for K48, PPOW Gallery, New York, 2011. Videos from Iain Ball, Sam Hancocks, Emily Jones, Matteo Giordano and Kai (Kari) Altmann. Compiled and Curated by Kai (Kari) Altmann, Invited by Scott Hug and K48.

• The Real Fake, 2011. Works by Kai (Kari) Altmann, Jose Carlos Casado, Rachel Clarke, Claudia Hart, Spencer Hutchinson, Yael Kanarek, Brian Khek, Alex Lee, Lenox-Lenox, Alex McLeod, Jon Rafman, Michael Rees, Lou Regele, Timur Si-Qin, Yemenwed, Katrina Zimmerman, Zeitguised. Curated by Claudia Hart and Rachel Clarke. "The original exhibition that took place in 2011 was accompanied by a website that defined a new and unusual medium at that time, even for the digital arts. The exhibition toured the southern US and East Coast and showed the work of 20 artists that used an array of simulation technologies in the context of contemporary art, exploring for instance artificial “xyz” space, the non-referenced, non-indexical synthetic image/object, or the specific qualities of the virtual camera that records it. The exhibition showcased regional, national and international artists working specifically with digital softwares that simulate natural processes - from physics and biology to analog cinema and photography."

2010

• Multiplex by VVORK, Peer to Space, Munich, 22 Apr 2010. Works by Paul Chan, Michael Bell-Smith, Timur Si-Qin, Agnieszka Polska, Guthrie Lonergan, Rafael Rozendaal, Constant Dullaart, Charles Broskoski, Joel Holmberg, Kai (Kari) Altmann, Hayley Silverman, Petra Cortright, Anouk Kruithof, Harm van den Dorpel, Michael Aschauer, Carla Edwards, Damon Zucconi, Laura Brothers, Ken Seeno, Eve Essex, Chris Collins, Matthieu Clainchard, Alex Delany, Brock Davis, Billy Rennekamp, Dena Yago, Jason Lee, Annika Larsson, Manuel Gorkiewicz, Will Rockel. Curated by VVORK.COM.

• Full Operational Toolbox & Index of Potential, M21, Athens, 14-30 May 2010. Works by: Otto von Busch, Forms of Melancholy curated by Chris Coy, Aleksandra Domanovic, Seth Price, Let’s Remake, Dexter Sinister, Damon Zucconi. Index of Potential (printed matter) works by: R-U-In?S and many more. Curated by Kernel, Petros Moris, Pegy Zali and Theodoros Giannakis. "Full/Operational/Toolbox looked at a set of contemporary art practices that negotiate the artwork as a hybrid object, as a flow of multiple manifestations and possibilities, involving processes of (re)production that point towards an alternative economy of creativity." [1]

• Catch & Release, Darsa Comfort, Zurich, 9-26 Jun 2010. Works by Kai (Kari) Altmann, Iain Ball, Till Forrer, Yannic Joray. Curated by Darsa Comfort, Lorenzo Bernet, Fredi Fischli and Carmen Tobler. Objects in the show were shipped, displayed on screens, or obtained as readymades by the curators, examining supply chains and the art of critical staging and context (including online context) as production. The readymade objects were "released" back into the world as normal consumer goods when the show was complete.

• Troll, 131 Chrystie, New York, 1-15 Jul 2010. Works by Jacob Meehan, Brad Troemel, Kai (Kari) Altmann, Andrew Laumann, Michael Magnan, Patrick Dyer, Dylan Reece, Chris Udemezue, Scott Hug, Ben Schumacher, Cody Critcheloe, Chris Bogia, Matt Lifson, Jarrod Beck, Elijah Burgher, Daniel Leyva, Lazaro Rodriguez, Ben Aqua, Da Sul Kim, Travess Smalley, Mark Spalding, Kristin Smallwood, Ivan Lozano, Khalid Al Gharaballi, Shawn Maximo, Borna Sammak, Fatima Al Qadiri, Jason Villegas, Paul Cupo, Venus Jazmin Soto, Adam Radokovich and Anthony Thornton. Curated by Keehnan Konyha and Jacob Gaboury. "TROLL is a group exhibition to examine the act of trolling as a sexual, cultural, and ethical practice. To troll is to sift through image and text, filtering and re-contextualizing subject-significant objects; it is a baiting and malicious comment made behind the anonymity of the Web, soliciting argument for the purpose of producing breakdown and chaos; it is a sexual practice, to cruise for sex, to seek partners anonymous or otherwise." Featured Kai (Kari) Altmann's "Hhellblauu", a performative printout of an online project made on request for the show, which included no projectors or screens, no production or shipping budget and almost no lead time. A "come and hang what you have, and then hangout for the night" performative group show.

• Exhibition One, Chrystal Gallery & Gentili Apri, Berlin, 6-7 Oct 2010. Works by Kai (Kari) Altmann, Charles Broskoski, Lindsay Lawson, Billy Rennekamp, Maxwell Simmer, Harm Van Den Dorpel. Curated by Timur Si-Qin. "Extracting a parallel instance of the work as a three-dimensional representation of geometric data, Exhibition One offers an opportunity to present an alternate framework that posits the questions: Where does an artwork stop and its documentation begin? What is the function of a prospective image that is decisively not-a-model?" [2]

• R-U-In?S Catalogue #002: Unboxing, Online, 2010. Participants in Catalogue #002 include Hydrothermal Emerald (Emily Jones), TRAWLR (Lorenzo Bernet & Yannic Joray), X2MX and Sony HD (Matteo Giordano), Visual Aids (Sam Morgan), ProductLaneEvol (Iain Ball), Central Unit, Econimish (Nick Lalla), Survival Tips and Expo 2020 (Katja Novitskova), Dis Magazine, KERNEL, Darsa Comfort, Kai (Kari) Altmann and many more. Curated and Edited by Kai (Kari) Altmann. "The website aimed to catalogue and represent the identities, tropes, and memes from the current phase of R-U-In?S with a bit more organization and online flexibility. It also catalogued the shows and editorial activities of the project."

• BYOB Berlin, Bureau Friederich Project Studio, Berlin, 10 July 2010. Works by: AIDS-3D, Alexandra Domanovic, Andreas Angelidakis, Andrew Keaton, Angelo Plessas, Anne de Vries, Billy Rennekamp, Constant Dullaart, Dafna Maimon, Darri Lorenzen, Emile Zile, Hayley Silverman, Helga Wretman, Jaime Whipple, Juliette Bonneviot, Kai (Kari) Altmann, Katja Novitskova, Kinga Kielczynska, Lindsay Lawson, Mike Ruiz, Oliver Laric, Rafaël Rozendaal, Spiros Hadjidjanos, Timur Si-Qin, Voin de Voin, Wojciech Kosma. Curated by Anne De Vries and Rafael Rozendaal.

• BYOB NYC, Spencer Brownstone Gallery, 12 Nov 2010. Works by: Agnes Bolt, Artie Vierkant, Billy Rennekamp, Britta Thie, Brian Close, Calla Henkel & Max Pitegoff, Charles Broskoski, Damon Zucconi, Duncan Malashock, Daniel Chew, Dena Yago, Hayley Silverman, Jeremy Bailey, Jesse England, Joel Holmberg, John Michael Boling, Joyce Jordan, Kai (Kari) Altmann, Krist Wood, Mai Ueda, Marlous Borm, Michelle Ceja, Mike Ruiz, Rene Abythe, Riley Harmon, Ryder Ripps, Sarah Weis & Arturo Cubacub, Tom Moody, Travess Smalley, Travis Hallenbeck, Wojciech Kosma. Curated by Rafael Rozendaal.

• An Immaterial Survey of Our Peers, Sullivan Galleries, Art Institute of Chicago, Online, 2010. Works by AIDS-3D, Kai (Kari) Altmann, Jon Rafman, Travess Smalley, Ben Schumacher, Hermonie Only, among many others. Curated by The Jogging, Brad Troemel, Lauren Christiansen.

2009

• In Real Life, Capricious Space, New York, 7-28 Mar 2009. Works by: Art Fag City, ASDF, Club Internet, Ffffound, The Highlights, Humble Arts Foundation, I Heart Photograph, Loshadka, Netmares/Netdreams, Platform For Pedagogy, Private Circulation, UbuWeb, VVORK, Why + Wherefore. Curated by Laurel Ptak. "An exhibition that invites innovative and independent online art initiatives to each come do a 4-hour residency inside the space of a gallery—attempting to explore how the distribution, production, analysis, and consumption of culture are rapidly evolving in an online context. In particular the exhibition aims to render the labor of these online practices transparent, providing 'real life' access to these cultural producers, and overall inspiring public dialogue around their practices."
• The Earth Not a Globe Part 1, Rokeby Gallery, London, 25 June-31 July 2009. Works by: Kai (Kari) Altmann, David Raymond Conroy, Richard Healy, Oliver Laric, JT Lowen, Matt McQuillan, Jasiek Mischke, WITH(withyou.co.uk). Curated by Dani Admiss and Dave Charlesworth. "Thinking about scales of perception, their limitations and how we deal with this on a tangible level the exhibition brings together a selection of artists who employ cartographic systems of resisting one point of view for another potential combination."

2008

• Netmares/Netdreams v.2.0, Current Gallery, Baltimore, 2008. Works by Kai (Kari) Altmann, Mark Brown, Petra Cortright, Harm Van den Dorpel, Ben Fino-Radin, Martijn Hendrik, Daniel Keller & Nik Kosmas (AIDS-3D), Guthrie Lonergan, Sara Manara, Pascual Sisto, James Whipple, Damon Zucconi. Curated by Kai (Kari) Altmann and Mark Brown. "Online and international show platform's second release, this time in a physical gallery."

• Netmares/Netdreams v.1.0, Online, 2008. Curated by Kai (Kari) Altmann and Mark Brown.

• Club Internet, Amsterdam, Berlin and Online, 2008. Curated by Harm Van den Dorpel.

Events

• Chelsea Sound Festival, Performed Installation of Smart Mobility: Essence of Entity, Eyebeam, New York 2012. Curated by Matthew Arkell (Gatekeeper) and DV Caputo.
• Anorexxxtapussy, Sugar Hill Disco, New York, 2012. Curated by Dis Magazine.
• Hitashya DJ Set, Bossa Nova Civic Club, New York, 2013.
• Vital Content: Biowar, Lecture and Hitashya DJ Set, Skogen, Gothenburg, 2013. Curated by Karl Magnuss Johansson and Gluey-C.
• Hitachia Venom ID Kiosk performed at Collect the WWWorld III opening night, 319 Scholes, New York, 2014. Performers: Genevieve Belleveau and Ruth Gruca. Curated by Lindsay Howard and Domenico Quaranta.
• Real Flow, The White Building, London, 2014. Performances by Emily Jones, Nkisi, Hitashya (Kai Altmann). Curated by Kai Altmann.
• Flexia XLE (Xoming) performed at Xomia opening night, Ellis King Gallery, Dublin, 2015. Performers: Molly McCommons and Colin Self.
• Topical Cream Le Corbusier AfterParty, Wyndham Green, New York, 2015. DJ Sets by Lafawndah, Juliana Huxtable, Hitashya (Kai Altmann). Curated by Lyndsy Welgos and Topical Cream Magazine.
• Blood Salt Mud Fire, Rockaway Beach, New York, 2016.
• Ecosuprematism (#Ecopia), Times Square, New York, 2016.
• Fighting Solves Everything, Church Street Boxing Gym, New York, 2022. Curated by Natálie Kubíková and Andrea Marcellier.
• New World MayDay, Central Saint Martin's, London, 2024.
• New World MayDay, Radio Alhara, Bethlehem, 2024.

Residencies and Fellowships

• Showroom MAMA, Rotterdam, Netherlands, 2011. Invited Artist Residency, Performance & Installation of Hhellblauu, TTOA and creation of new projects for Land Art for a New Generation. Site Visit to Berlin.
• Atelier 35, Bucharest, Romania, 2011. Invited Installation of R-U-In?S: Underground Economies.
• 131 Chrystie, New York, 2012. Invited Installation and Performance of Smart Mobility.
• American Medium, New York, 2012. Invited Installation and Performance of Smart Mobility for Style is the Tailor. Followed by relocation to New York.
• Kunsthaus Langenthal, Langenthal, 2013. Invited Installation of Resting Point for Megarave. Site visit to Gruyere and HR Giger Museum.
• The White Building and Space Studios, London, UK, 2014. Visiting Artist Residency with additional support from The Goethe Institute London, Institute of Contemporary Arts London, Serpentine Gallery, Rhizome and Frieze.
• Rijksakademie Guest Resident and Lecturer, Art & Science Fellowship, Rijksakademie, Amsterdam, Netherlands, 2015. Studio visits, site visits, final lecture in collaboration with curator Melanie Bühler. Additional lecture at Gerrit Rietveld invited by curator Cory Scozarri. Studio production and travel for XOMIA in Dublin. Site visit to Dubai.
• Ellis King Gallery, Dublin, 2015. Invited Installation and Performance of XOMIA.
• Museum of Contemporary Art, Denver, 2015. Invited Installation and Performance of Hitashya: Field Goals II for Biennial of the Americas 2015.
• Le Commun, Geneva, Switzerland, 2017. Invited Lecturer for Held Together With Water. Turned into Meta Images: XLE Lecture Tour which went to Moscow, Bangkok, Chiang Mai, Abu Dhabi.
• Clark House, Mumbai, India, 2017. Visiting Artist Residency. Site Visits to Goa, Delhi, Pune, Aurangabad.
• Koh Samui, Thailand, 2017. Solo Artist, Writer and Musician Retreat. Songwriting for Hitashya, Soft Mobility shoots, etc. Site Visits to Bangkok, Chiang Mai.
• Mumbai and Delhi, India, 2018. Solo Artist and Musician Residency.
• Dubai and Abu Dhabi, UAE, 2018. Solo Artist and Musician Residency.
• Forde, Geneva, Switzerland, 2018. Invited Artist Residency, Commissioned Performance and Installation of TTOA & Soft Mobility. Site and Material Visits to Milan, Paris. Onward travel to London, Belgrade and Budapest.
• Garage Gallery, Prague, Czechia, Jul 2019. Residency and Commissioned Installation of Flexia XLE: Oasis I. Site visit to Berlin.
• Asian Cultural Council Fellowship, New York and Hong Kong, 2019. For self-designed travel and exhibition in Thailand, Cambodia and Vietnam with additional support from ACC. Included Residency and Performance at N22, Bangkok, Site Visits and Meetups in Bangkok, Chiang Mai, Chiang Rai, Angkor, Phnomh Penh and Ho Chi Minh City. Followed by relocation to Mumbai.
• Goa, India, 2020-2022. Co-Vid Solo Artist and Musician Retreat, Residency. Including installation of Flexia XLE: Oasis III in Three Terra, shoots for "Jua Kali", "Tear Up La Tierra" by Hitashya, etc.
• Mumbai, India, 2020. Co-Vid Solo Artist and Musician Retreat, Residency. Hitashya Endless EP, Creation of Three Terra, etc.
• Space A, Kathmandu, Nepal, 2022. Solo Artist and Musician Residency with additional support from Space A and Digital Kathmandu Recording Studios.
• Jaipur and Udaipur, India, 2023. Solo Artist and Musician Residency.
• Alt.Ar, Hawa Mahal, Jaipur, India, 2023. Invited Artist and Musician Residency, Performance.
• Cairo, Egypt, 2023. Solo Artist and Musician Residency. Site Visit to Istanbul.
• Kaleido, Hasliberg-Reuti and Zurich, 2023. NeuroFlex Workshop Leader in Residence. Site Visit to Vienna.
• Athens, Greece, 2023. Solo Artist and Musician Residency.
• Central Saint Martin's, University of the Arts London, London, 2024. MA Intercultural Practices On-Site Intensive.

Awards

• Net Art Prix 2014, Rhizome and TASML Beijing, 2014.

Selected Commissions

• Jemsheed / Multitouch Video, Global Art Forum Six, Art Dubai 2012, Mathaf: Arab Museum of Modern Art, Doha and Madinat Jumeirah, Dubai, March 2012. Commissioned video made in Powerpoint by Kai (Kari) Altmann in response to a track by Ayshay (Fatima Al Qadiri). Commissioned and presented by curator Victoria Camblin as part of a program of artist Powerpoints. Global Art Forum curated by Shumon Basar.
• "Soft Brand Abstracts: Closer Than Ever Before", commissioned essay for Platform by Melanie Bühler for Lunch Bytes, Hirshhorn Museum and the Goethe Institute, 2012. Was also a formative text for Brands: Concept/Affect/Modularity, a group show at S.A.L.T.S. in Basel, 2014, curated by Melanie Bühler.
• "Genre Specific X-Perience (GSX) Remixes" by Fatima Al Qadiri, commissioned remix of album art, 2012.
• "Tracer" by Teengirl Fantasy, commissioned album art, 2012.
• Resting Point, performed installation with video, Megarave, Kunsthaus Langenthal, 2013.
• Flexia, commissioned video for Extinct.ly, part of the Extinction Marathon at Serpentine Gallery, London, 2014. Curated and commissioned by Ben Vickers. Extinction Marathon curated by Hans Ulrich Obrist.
• Xomia, solo show, performance, performed installation, video, etc., Ellis King Gallery, Dublin, 2015.
• Hitashya: Field Goals II, performed installation with video, Biennial of the Americas, Museum of Contemporary Art, Denver, 2015. Curated and commissioned by Lauren Wright.
• "Soft Brand Abstracts", commissioned audiovisual presentation of essay for No Internet No Art book launch at Swiss Institute, New York, 2015. Requested by curator Melanie Bühler.
• TTOA & Soft Mobility, solo show, performed installation, Forde, Geneva, 2018. Curated and commissioned by Roxane Bovet and Yoan Mudry.
• Flexia XLE: Oasis I, solo show, performed installation, Garage Gallery, Prague, 2019. Curated and commissioned by Natalia Kubikova and Kuku Collective.
• Flexia XLE: Oasis II, requested installation in group show Get Well Soon at Kunsthalle Nurnburg 2019 by curator Ellen Wagner.
• TTOA: Native Arrangement II, invited installation in Final Hot Desert 2020 by curator Ben Sang.
• "Ambiguations and Meta Abstractions of The New World (An Abstract!)", requested essay for Representing and Understanding Abstraction Today, 2024. Edited by Alessandro Ferraro.

Collections

• Ellis King Gallery
• School of the Art Institute of Chicago Digital Collections, "R-U-In?S Catalogue #001" by Kai (Kari) Altmann (ed.).
• Private Collections

Talks

• Immaterial Dispersal, Guild Art Gallery, New York, 7 Mar 2010. Speakers: Kai (Kari) Altmann, Lance Wakeling, Gene McHugh, Brad Troemel. Curated by Nik Pence. [3]

• A New Aesthetic?, Smithsonian Hirshhorn Museum, Washington DC, 12 Oct 2012. Curated and moderated by Melanie Bühler, speakers: Kai (Kari) Altmann, David M. Berry, Adam Cruces, James Ferraro, Bea Fremderman, Katja Kwastek, Pierre Lumineau, Daniel Pinkas. Supported by The Goethe Institute. Link

• Vital Content, Union Docs, New York, 21 Oct 2012. Screening and discussion. Speakers: Kai (Kari) Altmann, Nick Lalla, Jacob Gaboury. Moderated by Jacob Gaboury.

• Vital Content: Alienware, Regional State Archives, Gothenburg, 2013. Speakers: Kai (Kari) Altmann. Curated by Gluey-C.

• Vital Content: Biowar, Skogen, Gothenburg, 2013. Followed by Hitashya DJ set.

• Seven on Seven 2014, New Museum, New York, May 2014. Speakers: Kate Crawford, Holly Herndon, Kate Ray, Aza Raskin, Kai (Kari) Altmann, Hannah Sawtell, Avi Flombaum, Simon Denny, Nick Bilton, Jen Fong-Adwent, Ian Cheng, Frances Stark, David Kravitz, Anil Dash, Kevin McCoy. Curated and Moderated by Michael Connor.

• Disassembling Stacktivism, Goethe Institute, London, 15 Oct 2014. Speakers: Jay Springett, Kai (Kari) Altmann, Paul Raven, Julieta Aranda. Moderated by Jay Springett.

• Do You Follow? Art In Circulation, Institute of Contemporary Arts, Selfridges Hotel, London, 15-17 Oct 2014. Speakers: Kai (Kari) Altmann, Alex Bacon, Hannah Black, Michael Connor, Constant Dullaart, Renzo Martens, Monira Al Qadiri (GCC), Derica Shields, Takeshi Shiomitsu, Martine Syms, Christopher Kulendran Thomas and Amalia Ulman. Moderated and Curated by Michael Connor. Part of Frieze London ICA Offsite 2014.

• Blame it on the Algorithm, Rijksakademie, Amsterdam, 4 April 2015. Speakers: Kai (Kari) Altmann, David Wightman, Dr. Bettina Speckman. Curated by Kai (Kari) Altmann, Rijksakademie and Melanie Bühler. Moderated by Melanie Bühler.

• Lacuna Sovereignity, Gerrit Rietveld Akademie, Amsterdam, 10 April 2015. Speakers: Kai (Kari) Altmann, Anne de Boer, Cory Scozarri. Moderated by Cory Scozarri.

• Kari Altmann Artist Talk, Artists Space, New York, 21 May 2015. Invited by Hito Steyerl as part of her solo exhibition. Speakers: Kai (Kari) Altmann, Ruth Saxelby. Moderated by Ruth Saxelby.

• No Internet, No Art, Book launch and presentation of "Soft Brand Abstracts: Closer Than Ever Before", Swiss Institute, New York, 14 Jul 2015. Speakers: Kai (Kari) Altmann, Melanie Bühler.

• Freeportism as Style and Ideology?, E-Flux, New York, 2016. Speakers: Kai (Kari) Altmann, Julieta Aranda, Hayal Pozanti, Brad Troemel. Moderated by Julieta Aranda.

• Kai (Kari) Altmann Visiting Artist Talks, School of Visual Arts, New York, 2016. Invited by Eva and Franco Mattes.

• Meta Images, Le Commun, Geneva, 2017. Speaker: Kai (Kari) Altmann. Invited by Roxane Bovet and Yoann Mudry as part of Held Together With Water vernissage.

• Meta Images XLE, Strelka Institute for Media, Architecture and Design, Moscow, 2017. Speaker: Kai (Kari) Altmann. Invited by Holly Childs as part of Strelka's program, The New Normal by Benjamin Bratton.

• Meta Images XLE, Tentacles Gallery, N22, Bangkok, 2017. Speaker: Kai (Kari) Altmann. Invited by Samantha Culp and Henry Tan.

• Meta Images XLE, Chiang Mai University, Chiang Mai, 2017. Speaker: Kai (Kari) Altmann.

• Meta Images XLE, New York University Abu Dhabi, Abu Dhabi, 2017. Speaker: Kai (Kari) Altmann.

• XLE.LIVE: #Indofuturism? #Desifuturism?, Mumbai and Online, May 30, 2023. Speakers: Kai (Kari) Altmann, Naveen Shamsudhin, Prateek Arora.

• Kaleido: Unraveling Intelligence, Hasliberg-Reuti, Switzerland, 16-20 Aug 2023. Curated by Naveen Shamsudhin. Workshops and talks by Gisela Rocha, Dr. Peter Asaro, Dr. Elizabeth Tilley, Dr. Nithin Bathla, Dr. Melanie Rieback, Dr. Emily S. Cross, Dr. Berta Moya, Kai (Kari) Altmann, Tony Majdalani, Dr. Naveen Shamsudhin, Jennifer Kae, Trent Simmons, Clarissa Hurst, Simone Gantner, Janne Raun, Andreas Schneider, Trent Simmons, Daisy Astorga, Clarissa Hurst.

Interviews

• Brian Droitcour, Kai (Kari) Altmann, "Turn On, Tune In, Zoom Out: An Interview with Kari Altmann", Rhizome at the New Museum, New York, March 2009.
• Harry Burke, Kai (Kari) Altmann, "Hazing With Kari Altmann", CMD Blog, London, 2011.
• "R-U-In?S Underground Economies" Video and Interview, Artyčok.TV, Academy of Fine Arts, Prague, Shot on-location in Bucharest, 2011.
• Katja Novitskova, Kai (Kari) Altmann, "R-U-In?S Survival Quiz", Post Internet Survival Guide, 2011.
• Jacob Gaboury, Kai (Kari) Altmann, Sam Hancocks, "R-U-In?S: An Interview with Kari Altmann and Sam Hancocks", Rhizome at the New Museum, New York and Online, 14 April 2011.
• Taliesin Bower, Lexie Mountain, Kai (Kari) Altmann, "Ripe for Capture: Artist Kari Altmann is a Prophet", Vice Magazine, New York and Online, 18 April 2013.
• Fiona Duncan, "Age: Late 20s, Sex: Female, Location: Wi-fi--Artist Kari Altmann is the Future", Bullett Magazine, New York and Online, 2013.
• Nathalie Olah, Kai (Kari) Altmann, "Kari Altmann", Dazed Digital Magazine, London and Online, 2013.
• Lyndsy Welgos, Kai (Kari) Altmann, "Context Coaxing: An Interview with Kari Altmann", Topical Cream Magazine, New York and Online, 2014.
• Jean Kay, Kai (Kari) Altmann, "An Interview with Kari Altmann", AQNB, London and Berlin, 5 Jun 2014.
• Heather Corcoran, Kai (Kari) Altmann, "Rhizome's Heather Corcoran Selects Cloud-Based Artist Kari Altmann", Hero Magazine, London, 6 Oct 2014. Part of Young Art Week.
• Lyndsy Welgos, Kai (Kari) Altmann, "Kari Altmann on Prix Net Art", Topical Cream Magazine, New York, Oct 2014.
• Ruth Saxelby, Kai (Kari) Altmann "Dallas to Dammam Direct: Kari Altmann on Gulf Futurism's U.S. Outpost", The Fader Magazine, New York, 19 Nov 2014.
• Harry Burke, Kai (Kari) Altmann, "Artist Profile: Kari Altmann", Rhizome at the New Museum, New York, 25 Mar 2015.
• Yusuke Shono, "Interview with Kari Altmann", Massage Magazine, Tokyo, 2016.
• Roxane Bovet, Kai (Kari) Altmann, "TTOA/Soft Mobility: Kari (Kai) Altmann", Editions Clinamen, 2018.
• Lauren Studebaker, Kai (Kari) Altmann, "Backpacking in the World Image System: Kai Altmann on the aesthetic formulas of ‘Garden Club’ and ‘R-U-In?s’", Rhizome at the New Museum, New York, 26 Sept 2019.
• Ben Sang, Kai (Kari) Altmann, "Interview with Kai Altmann", Final Hot Desert, 2020.
• Kirsten Ireland, Kai (Kari) Altmann, "Welcome to Kai's World", University of The Arts, London, 2023.

Artist Essays and Editorials

• Kai (Kari) Altmann, Sam Hancocks, "R-U-In?S Encrypted Connection", SuperSuper Magazine Issue #8: The Beyond, London, 2010.
• Kai (Kari) Altmann, "R-U-In?S Similar Image Haul: Magic Eye XD", K48 Magazine Issue 8: Abrak48dabra, New York, 2011. Invited by Scott Hug (ed.). Including contributions from Matteo Giordano, Sam Hancocks and others.

• Kai (Kari) Altmann, "Soft Brand Abstracts: Closer Than Ever Before", Platform by Melanie Bühler for Lunch Bytes, Hirshhorn Museum and the Goethe Institute, 2012. Link. Was also a formative text for Brands: Concept/Affect/Modularity, a group show at S.A.L.T.S. in Basel, 2014, curated by Melanie Bühler.
  • Re-Published in NERO Magazine Issue 31 (Printed), Milan and Rome, 2013.
  • Re-Published in IDPure Magazine (Printed), Zurich, 2013.
  • Re-Published in Platform (Printed), 2014.
  • Re-Published in No Internet, No Art (Printed), 2015.

• Kai (Kari) Altmann, "Core Samples Behind The Scenes", Dis Magazine, New York and Online, 2012.

• Kai (Kari) Altmann, "Selection Paths: Logika Fluo", Accidental Purpose Compendium, London, 2012. Curated by Candice Jacobs and Fay Nicolson.

• Kai (Kari) Altmann, “Vital Signs”, Pig Quarterly Issue 3: Shock, Milan, 2013.

• Kai (Kari) Altmann, "Garden Club", Communicating the Archive: Physical Migration, The Regional State Archives in Gothenburg, 2013.

• Kai (Kari) Altmann, "Hitachia, Hitashya, Sonia, TToshibaa",BFFA3AE'S Ad Book, Badlands Unlimited and Gloria Maria Gallery, New York, 2013. Curated by Daniel Chew, Micaela Durand, Matt Gaffney (eds.).

• Kai (Kari) Altmann, Jasmine Lee, Rob Mintz, Katja Novitskova, "Soft Brand Abstracts: World Exposé", S.A.L.T.S. Center as part of Brands--Concept/Affect/Modularity, Curated by Melanie Bühler, 2014.
  • Re-Published by UniPress by Jasmine Lee (ed.), 2014.

• “Kari Altmann Top Ten Links of 2014”, Rhizome at the New Museum, New York and Online, 2014. Featuring Maluca Mala, Ayesha Siddiqi, Bangs, Forever Traxx, Cargo Club, Norman Orro for Panther Modern, Etc.

• "Instagram Takeover: Kari Altmann", Rhizome at the New Museum, New York and Online, 2014.

• Kai (Kari) Altmann, "Xomia" Six-Page Spread, XOM Magazine, USA, 2015.

• Kai (Kari) Altmann, "Soft Mobility: Character Development (Handheld)", Six-Page Spread, Art Papers Magazine, Atlanta, Curated by Victoria Camblin. 2016.

• Kai (Kari) Altmann, "Consumer Reports: Kari Altmann", Dubai Travel Log, Art News Magazine, New York and Online, 24 Feb 2016. Edited by John Chiaverina.
  • "By The Time You're Thirsty, It's Already Too Late: Selected Media Streams from a Long Dubai Weekend 2015", Archived on Medium, 2016.

• Kai (Kari) Altmann, "First Five With Kari Altmann", New Criticals, The New School for Social Research, New York, 30 June 2016. Edited by Tamsyn Gilbert.

• Kai (Kari) Altmann, Multi-page Spread for Texts Not Neccessarily Meant to be Viewed as Art, Konstfack Collection, Stockholm, 2016. Edited by Roger von Reybekiel and Julie Cirelli.

• Hitashya aka Kai (Kari) Altmann, “Topical Cream Summer 2018 Mix”, Hitashya "Flourish & Thrive" Audio Mix, Topical Cream Magazine, New York and Online, 2018.

• Kai (Kari) Altmann, "XLE.LIFE Site Visit: Borivali, Mumbai and 5 Questions with Saviya Lopes", XLE.LIFE, Global and Online, 2019.

• Kai (Kari) Altmann, "XLE.LIFE Site Visit: Khalifa City A, Abu Dhabi, 2018 (#Landgrab)", XLE.LIFE, Global and Online, 2018, posted in 2019.

• Kai (Kari) Altmann, "XLE.LIFE 5 Questions With Abhijan Toto, Bangkok 2019", XLE.LIFE, Global and Online, 2019.

• Kai (Kari) Altmann, "XLE.LIFE Site Visit: #Synthetichigh in Milan's Chinatown (#Sourcefile)", XLE.LIFE, Global and Online, 2018, posted in 2019.

• Hitashya aka Kai (Kari) Altmann, "Hitashya: Flourish & Thrive III" Mix, Cosmos Carl, Amsterdam, 2019.

• Kai (Kari) Altmann, "Ambiguationist Bullets Preface", 2020.

• Kai (Kari) Altmann, Cadence Kinsey, "The Meta Image: Ambiguationist Bullets, Visual Culture in a Post-Western, Post-Production, Pan-Optic World", [2015] 2020.

• Kai (Kari) Altmann, "New Terms 2015", [2015] 2020.

• Kai (Kari) Altmann, "XLE.LIFE: #Petrosumer: Bangkok (#Fuelyourlife)", XLE.LIFE, Global and Online, 19 Oct 2020.

• Kai (Kari) Altmann, "XLE.LIFE: Ai Wei Wei Replica in Palladium Mall, Mumbai, India (#Sourcefile, #Ornamentia, #Spotted)", XLE.LIFE, Global and Online, 2021.

• Kai (Kari) Altmann, "Welcome to the New World, You're Late", 2021, Posted in 2023.

• Hitashya aka Kai (Kari) Altmann, "XLE.LIFE Guest Posts: Hitashya Selects #NewWorld Music", XLE.LIFE, Global and Online, 2022-. Features on Ghali, Jasmine Sandlas, etc.

• Kai (Kari) Altmann, "XLE.LIFE 5 Questions and More with Tritha Sinha in Assagao, Goa", XLE.LIFE, Global and Online, 2022.

• Kai (Kari) Altmann, "Kai (Kari) Altmann aka Hitashya's Top Ten of 2023 for XLE.LIFE", XLE.LIFE, Global and Online, March 15 2024.

• Kai (Kari) Altmann, "XLE.LIFE: New Terms 2024: Indofuturism(s) and Desifuturism(s)", XLE.LIFE, Global and Online, March 22 2024.

• Kai (Kari) Altmann, "XLE.LIFE: New Terms 2024: Metta", XLE.LIFE, Global and Online, March 22 2024.

Artist Books and Publications

• Kai (Kari) Altmann (ed.), R-U-In?S Catalogue #001, Printed and Online, 2010. Visual content, art and new editorial spreads culled from the R-U-In?S project in 2009-2010. Includes an essay. Additional contributions from Iain Ball, Matteo Giordano, Sam Hancocks and Sebastian Moyano. Link

Other Artist Releases

• Hitashya, "Endless EP", 2021-, Spotify, Youtube, Etc.
• Kai (Kari) Altmann, "Soft Mobility" and "TTOA" booklets after show at Forde, Geneva, 2018.
• Spillways, Kiosk and XLE.LIFE, 2010-. Artist merchandise and garments.
• Kai (Kari) Altmann (ed.), R-U-In?S Catalogue #002: Unboxing, Online, 2010. The website aimed to catalogue and represent the identities, tropes, and memes from the current phase of R-U-In?S with a bit more organization and online flexibility. It also catalogued the shows and editorial activities of the project. Participants in Catalogue #002 include Hydrothermal Emerald (Emily Jones), TRAWLR (Lorenzo Bernet & Yannic Joray), X2MX and Sony HD (Matteo Giordano), Visual Aids (Sam Morgan), ProductLaneEvol (Iain Ball), Central Unit, Econimish (Nick Lalla), Survival Tips and Expo 2020 (Katja Novitskova), Dis Magazine, KERNEL, Darsa Comfort, Kai (Kari) Altmann and many more.

Press and Exposure

Video, Podcasts, Radio, Playlists

• "R-U-In?S Underground Economies" Video and Interview, Artyčok.TV, Academy of Fine Arts, Prague, Shot on-location in Bucharest, 2011.
• Raffael Dörig (ed.), Compiler 04: Replay, DVD Magazine, Otto Publishers, Berlin, 2012.
• The Internetional: Walled Gardens: Art After the Internet by Cadence Kinsey (Lecture), MAMA, Recorded on Location at The Internetional, Amsterdam, 2015.
• "Topical Cream Summer 2018 Mix: Hitashya Flourish & Thrive", Topical Cream Magazine, New York and Online, 2018.
• "Hitashya: Flourish & Thrive III" Mix, Cosmos Carl, Amsterdam and Online, 2019.
• Viktor Timofeev (ed.), Sibling Gardens #4, Montez Press Radio, New York and Online, 2021.

Magazines, Blogs, Journals, Newspapers

• Alex Gartenfeld, "At Home Online", Fantom Magazine Issue 00, Milan and New York, 2009.

• Danielle Criqui and Jasmine Sarp (ed.), Acres: Femina, Baltimore, 2009.

• Robin Newman (ed.), Mystic Mayhem (Printed), US, 2009.

• Aids 3-D (Daniel Keller and Nik Kosmas) (ed.), Free Internet (Printed), XYM.NO, Berlin, 2009.

• Gene Mchugh, 122909a/Post Internet Blog, New York and Online, 2009-2010. Funded by the Andy Warhol Arts Writing Grant 2010.

• Ry David Bradley (ed.), "Hellblauu by Kari Altmann", Painted, Etc., 2010.

• "No Future Is Now", Gaite Lyrique, Paris, 2010. (French)

• Cosmin Nasui, "R-U-In?S Underground Economies at Atelier 35", Modernism.ro, Bucuresti and Online, June 9 2011.

• Becky Hunter, "September 2011, Kari Altmann at Extra Extra", Whitehot Magazine, London and Online, 2011.

• Dennis D’Alesandro, "Kari Altmann's Core Samples at Extra Extra Gallery", The Art Blog, 17 Jun 2011.

• Alex Ebstein, "Elusive Matter", Culturehall, New York and Online, 2011.

• Jenny Jaskey, "Being There", Culturehall, New York and Online, 2011.

• Andrew Norman Wilson, "Why is the No Video Signal Blue?", Pool, Online, 2011.

• Ben Valentine, "Tumblr as Art" R-U-In?S featured, New York and Online, June 2012.

• Ruth Saxelby, "The Visual Artist at the Centre of the Post Internet Explosion", Dummy Magazine, London and Online, 29 Aug 2012.

• Amy Knight, "Nature by Proxy", Dazed Magazine, London and Online, 10 Dec 2012.

• "Rendered Reality", Rhizome at the New Museum, New York, 2012.

• “Art numérique, la récupe est pleine”, Liberation, Paris, April 18 2012, pp. 24–25. (French)

• "Jemsheed Powerpoint for Global Art Forum 6 (Version 1)", Dis Magazine, New York, 2012.

• Steph Kretowitz, "Dubai Dreamwork", Dummy Magazine, London, 18 Dec 2013.

• Thierry Häusermann (ed.), "GSX Remixes" Artwork Feature, IDPure Magazine Post-Western Issue, Zurich, 2013.

• Amy Knight, "The Living Image", Dazed Magazine, London and Online, 18 Jan 2013.

• "Core Samples", Pipeline Magazine, Hong Kong, 2013.

• Kevin McGarry, "Open Up: The Mutating Activities of Dis" Mention, Frieze Magazine Issue 154, London, 14 March 2013.

• Zachary Kaplan, "Artists in the Cascade: Kari Altmann and Rhizome's Instagram", Rhizome at the New Museum, New York and Online, 17 Feb 2014.

• Benoit Lamy de la Chapelle, "De l'art « post-Internet »" / "On “post-Internet” Art", Zero Deux, 2014. (French)/(English)

• Eva Folks, "Concerning Art Post-Internet", AQNB, 3 Mar 2014.

• Emily Manning, "Numero Uno: The Revolutionary NYC Record Label", Mention, i-D Magazine, 6 May 2014.

• Nate Cohan, "Preprofessional Development: Rhizome's Seven on Seven", Art in America, New York, 9 May 2014.

• Kaarl Johannson, “Bland våra flikar” feature on Kari Altmann, Dis Images, K-HOLE, etc., ORD & BILD, Sweden, 2014. (Swedish)

• "Winners of Inaugural Net Art Prix Announced", Artforum, New York, 30 Oct 2014.

• "Announcing the Inaugural Prix Net Art Awardees: JODI and Kari Altmann", Rhizome at the New Museum, New York, 30 Oct 2014.

• Henri Neuendorf, "First Ever Prize for Net Art Awarded", ArtNet, 31 Oct 2014.

• Victoria Camblin, "Melancholy Broken Body", Opening Times, Berlin, Dec 2014.

• Niekolaas Johannes Lekkerkerk and Katja Novitskova, "Long Circuits for the Pre-Internet Brain", Estonian Art, 2014.

• Melanie Bühler, "Ideas About the Contemporary Role of Photography Within Digital Culture and Artistic Practice", Fotomuseum Winterthur Blog, 16 Mar-30 Apr 2015. "Online Image Behavior, Where Photographs Live Today" on Kai (Kari) Altmann's Hhellblauu, TToshibaa and R-U-In?S.

• "Kari Altmann @ Ellis King, Mar 27-May 2", AQNB, 26 Mar 2015.

• "Kari Altmann", I Like This Art Blog, 27 April 2015.

• Whitney Mallett, “D-celleration”, Topical Cream Magazine, New York, 2015.

• Richard Grayson, "An Internet of Things: Post-Internet Art", Broadsheet Magazine Vol 44.1 2015, Published by CACSA Australia.

• Ruth Saxelby, "We Talk in Pictures Now, But What Does It Mean?", The Fader Magazine, New York, 3 May 2015.

• Kyle Chayka, "The Greatest Digital Artists of the 21st Century", Complex Magazine, New York and Online, 15 May 2015.

• "What Is Post Internet Art?", Elephant Magazine, Issue 23, 2015.

• "2016 Hot List: Art", Feature on Kari Altmann, Simon Denny, Hito Steyerl, Silvia Bianchi, Timur Si-Qin, Oliver Laric, S Moda Magazine (Printed), Madrid, 2015. (Spanish)

• “Que es el Arte de Post Internet? Conoce a Estos 10 Artistes”, Revista Codigo, Mexico City and Online, 19 Aug 2015. (Spanish)

• Kyra Kordoski, "Kari Altmann: Hypergenre Ecosystems", White Fungus Magazine Issue #14, Taichung and Online, 2015.

• Samantha Culp, "Liquidity", on Kari Altmann, Josh Kline, Timur Si-Qin, The Jogging, K-Hole and Dis, Leap Magazine, Beijing and Online, 2015.

• "Kari Altmann. Xomia (Return Home, Real Flow, All Terrain)", We Find Wildness, 9 April 2015.

• "Kari Altmann: Xomia (Return Home, Real Flow, All Terrain)", This Is Tomorrow, 19 April 2015.

• James Merrigan, "Kari Altmann at Ellis King", Billion Journal, Dublin, 2015.

• Valerio Mattioli, "Il ritorno del futoro (The Return of the Future)", Prismo Mag, Italy, 5 Oct 2015. (Italian)

• Raffael Dörig, "Digitale Kunst - Projekt des Monats / Kari Altmann, Soft Mobility", Kunstbulletin, Zurich, Sep 2016. (German)

• Thea Smith, "Soft Fingertips and the Sensitive Screen", SALT Magazine Issue #8: Noli Me Tangere, London, 2016.

• Mark Gens, "A Critical Analysis of Art in the Post Internet Era", Gnovis Journal 17:2, Georgetown University, 2017.

• Ellen Wagner, "Sadness and Survival: An Attempt via Post-Truth and Post-Internet Art", Dafkinist, 2017.

• Adriana Blidaru, "Katja Novitskova and Timur Si-Qin" Mention, Living Content, November 2017.

• "Get Well Soon / Kunsthaus Nurnburg", Daily Lazy, Dec 2019.

• "Exploring social communities & ecosystems in times of sickness with the Get well soon group exhibition", AQNB, London, 13 April 2020.

• "'TTOA: Native Arrangement II' by Kai (Kari) Altmann at Final Hot Desert, Rozel Point, Utah", Tzvetnik, Prague, 2020.

• "TTOA: Native Arrangement II, Kai (Kari) Altmann", OFluxo, Lisbon, Jul 2020.

• "TTOA: Native Arrangement II", Antimateria, Semana 230_1, Mexico City, 13 Jul 2020. (Spanish)

• "Kai (Kari) Altmann at Final Hot Desert", Art Viewer, Antwerp, 18 Jul 2020.

• "Kai (Kari) Altmann at Final Hot Desert", Earth Sciences, 1 Aug 2020.

• Sofia Kiseleva, “самоорганизации в современном искусстве (Self-Organization in Contemporary Art)”, pp.277-280, HSE Art & Design School, Moscow, 2020. (Russian)

• Katherine Adams, "Sculpture Post Media", Triple Ampersand, 14 Dec 2020.

• Issey Scott, "Final Hot Desert: Kai (Kari) Altmann 'TTOA: Native Arrangement II'", Let's Make Lots of Mon*t, 20 Dec 2020.

• Milyu Kos, "Visual Research: Liminality | Abandonment | Ilness", pp.138-139, HSE Art & Design School, Moscow, 2021. (Russian)

• "Will NFTs Revive Post Internet Art?", Massage Magazine, Tokyo, 2021.

• Nicholas O'Brien, "Finding Place in the Digital" Mention, OFluxo, 2021.

• Wade Wallerstein, "Magic at the End of the World" Mention, Outland, 2021.

• Ellen Wagner, Maria Anna Tappeiner, "Infrastrukturen des Wissens und alternative Mythologien:15 künstlerische Positionen (Infrastructures of Knowledge and Alternative Mythologies: 15 Artist Positions)", Kunstforum International, Volume 280: Future Resource Archive, Germany, 2022. Feature on Kai (Kari) Altmann, Korakrit Arunanondchai, Lawrence Abu Hamdan, Maria Thereza Alves, Peggy Buth, Filipa César, Simon Denny, Theaster Gates, Camille Henrot, Evan Ifekoya, Onyeka Igwe, Henrike Naumann, Prinz Golham Wolfgang Prinz, Leutkirch Michel Golham, Charlotte Prodger, Fiona Tan. (German)

• Dobrosława Nowak, "Animalità nell’arte contemporanea e comunicazione interspecifica", Kabul Magazine, Milan and Turin, 2022. (Italian)

• Melanie Bühler, "What's In A Vibe?" Mention, Mousse Magazine Issue 80, Milan, 2022.

Essays and Book Chapters

• Matei Samihaian, "R-U-IN?S Underground Economies", Bucuresti and Online, 2011.
• Melanie Bühler, "Immersive Brands", Megarave Metarave Catalogue, Presses du Reel, 2014.
• Harry Burke, "Kari Altmann: Xomia", Exhibition Introduction, London, Dublin and Online, 2015.
• Mandy Lynn Ginson, “How Some Things are Representable: The Counter Aesthetics of Kari Altmann’s R-U-In?S”, Simon Frasier University, British Columbia, 2015.
• Roxane Bovet, "HTWW: Concerning Art in Post-Internet Times", Editions Clinamen, Geneva and Online, December 2016, French & English.
• Roman Kirschner, "The Coupling of Matter and Imagination in Fluid Ecologies", From the book Raw Flows: Fluid Mattering in Arts and Research, Degruyter, 2017.
• Matt Barton and Jacob Ciocci, "Matt Barton and Jacob Ciocci", Elements and Principles of 4D Art & Design, Oxford University Press, 2017.
• Tom Clark, "Post Internet Art and the Space Formerly Known as Offline", Posthuman Glossary (Theory in the New Humanities) pp 326-329, Rosi Braidotti, Maria Hlavajova, Liza Thompson (Eds.), Bloomsbury Academic, 2018.
• Colin Self, "Xoir", Berlin, New York and Online, 2019.
• "R-U-In?S and Garden Club", Net Art Anthology, Rhizome, New York, 2019.
• Yasmin Morgan, "What Is The Color of Water?", The Art Columnist, London, Venice and Online, 23 July 2020.
• Iain Ball, "Introduction 2021", Medium, London and Online, 2021.

Books

• Keehnan Konyha (ed.), Domain, 2010. Curated and Printed for the NY Art Book Fair at MOMA PS1, New York, Hosted by Printed Matter, 2010.

• Kai (Kari) Altmann (ed.), R-U-In?S Catalogue #001, Printed and Online, 2010. Visual content, art and new editorial spreads culled from the R-U-In?S project in 2009-2010. Includes an essay. Additional contributions from Iain Ball, Matteo Giordano, Sam Hancocks and Sebastian Moyano. Link

• Katja Novitskova (ed.), Post Internet Survival Guide 2010, Berlin: Revolver, 2011, 272 pp. Editor, Worldcat.

• Gene McGugh, Post Internet: Notes on the Internet and Art, Brescia: Link Editions, 2011. Collected posts from the blog 122909a.com, Dec 2009-Sep 2010.

• Travis Hallenbeck, Twitter Faves, 2011.

• Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), Art and the Internet, Black Dog Publishing, London, 2013.

• Karl-Magnus Johannson, Gluey-C (eds.), Communicating the Archive: Physical Migration, Gothenburg: The Regional State Archives in Gothenburg, 2013, 112 pp. [4]

• Melanie Bühler (ed.), No Internet, No Art: A Lunch Bytes Anthology, Eindhoven: Onomatopee, Sep 2015, 351+[63] pp; 2nd ed., 2018. Publisher, Editor. [5]. Reviews: Kay (AQNB), Roestenburg (INC).

• Lauren Cornell, Ed Halter (eds.), Mass Effect: Art and the Internet in the Twenty-First Century, MIT Press, Oct 2015, 528 pp. Anthology. Publisher.

• Parker Kay, A Cube Has Six Sides: The White Cube as Medium, Rome: The Canadian Academy in Rome, and Toronto: Swimmers Group, 2016, 90 pp.

• Urte Undine Frömming, Steffen Köhn, Samantha Fox, Mike Terry (eds.), Digital Environments: Ethnographic Perspectives Across Global Online and Offline Spaces, Berlin: Transcript Verlag, 2017, 268pp.

• Francesca Gavin, Watch This Space, Antenne Books, 2017, 226 pp. Publisher.

• Roman Kirschner, Ed., Raw Flows: Fluid Mattering in Arts and Research, De Gruyter Art and Architecture, 6 Feb 2017, 160pp.

• Ceci Moss, Expanded Internet Art: Twenty First Century Artistic Practice and the Informational Milieu, New York: Bloomsbury, 2019, 160 pp, EPUB. Publisher.

• Michael J. Connor, Aria Dean, Dragan Espenschied, eds., The Art Happens Here: Net Art Anthology, Rhizome and the New Museum of Contemporary Art, New York, 2019.

• Marie Meixnerová (Ed.), #mm Net Art—Internet Art in the Virtual and Physical Space of Its Presentation, PAF, 2019.

• Ellen Wagner, Falsche Signale. Strategien der Mimikry in der Post-Internet Art, Zürich: diaphanes, 2021, 328 pp. Publisher. (German)

• Kyle Parry, A Theory of Assembly: From Museums to Memes, University of Minnesota Press, 2022.

Exhibition Catalogues

• Domenico Quaranta (ed.), Collect the WWWorld: The Artist as Archivist in the Internet Age, 2011.
• Raffael Dörig (ed.), Megarave, Metarave, Oct 2014. (German)/(English)/(French)
• Karen Archey, Robin Peckham (eds.), Art Post-Internet, 2014.

Theses

• Enrico Boccioletti, U+29dc aka Documento Continuoso, 2014. MA Thesis.

• Andreas Ervik, Evolving Images: Attraction and Dispersion on the Tumblr Blog Garden Club, Oslo: University of Oslo, 2015, 103 pp. Master's thesis.

• Ceci Moss, Expanded Internet Art and the Informational Milieu, New York: University of New York, 2015. PhD dissertation.

• Pao Waelder Laeso, Selling and Collecting Art in the Network Society: Interactions Among Contemporary Art, New Media and the Art Market, Barcelona: Universitat Oberta de Catalunya, 2016, 188pp. Doctoral thesis.

• Ignacio Rodriquez Dominguez, La condición aumentada: prácticas artísticas entre los períodos web 2.0 y 3.0, Madrid: Universidad Complutense De Madrid, 2019, 292 pp. Doctoral Thesis. (Spanish)

• Ellen Wagner, False Signals: Strategies of Mimicry in Post-Internet Art, Offenbach: Offenbach University, 2019, PhD Thesis.

• Filippo Tambressoni, L’opera d’arte nell’epoca della sua comunicazione digitale. Gli artisti dell’installazione contemporanea e la loro integrazione all’interno dei sistemi online., Politecnico Milano, Italy, 2019-2020, 259pp. (Italian)

Conferences & Presentations

• “Internet Aware, Post Internet, Expanded Internet: Recent Developments in Internet-Based Art Practice” by Ceci Moss, College Art Association Conference 2012, New York, 2012.
• "The Internetional: Walled Gardens: Art After the Internet" by Cadence Kinsey, The Internetional, MAMA, Amsterdam, 2015.
• "R-U-In?S: Survival, Peer-networks and Niche Evolution in Art After the Internet" by Cadence Kinsey, Networked Images, Basel, October 2016.
• "Arts Ecosystémiques, Architectures, Algorithmiques", Ecole Nationale Supérieure D'Architecture de Paris-Val De Seine, Paris, 2021. (French)

Primary References

• karialtmann.com
• hitashya.link
• xle.life
• r-u-ins.link
• garden-club.link