File:Ostraka (2023), sonic sculpture.jpg

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Rather than utilising standard devices, Rijnierse strives to make music without loudspeakers. He investigates the multidimensionality of sound by entering in dialogue with architectures. Since sound is vibration propagated in waves, Ostraka reveals the physicality of sound by concocting compressed air as a sounding element sprayed on the parabolic surfaces. By reflecting them, the work projects itself throughout the museum’s hall.

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current19:04, 30 April 2024Thumbnail for version as of 19:04, 30 April 20244,032 × 3,024 (5.11 MB)Mike Rijnierse (talk | contribs)
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