Difference between revisions of "Pierre Schaeffer"

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* ''À la recherche d'une musique concrète'', Paris: Seuil, 1952.  
 
* ''À la recherche d'une musique concrète'', Paris: Seuil, 1952.  
 
** ''[http://monoskop.org/log/?p=12577 In Search of a Concrete Music]'', trans. Christine North and John Dack, University of California Press, 2012, 225 pp. (in English)
 
** ''[http://monoskop.org/log/?p=12577 In Search of a Concrete Music]'', trans. Christine North and John Dack, University of California Press, 2012, 225 pp. (in English)
 +
 
* ''Traité des objets musicaux'', Paris: Seuil, 1966; 2nd ed., 1977.
 
* ''Traité des objets musicaux'', Paris: Seuil, 1966; 2nd ed., 1977.
 
** ''[[Media:Schaeffer_Pierre_Tratado_de_los_objetos_musicales.pdf|Tradato de los objetos musicales]]'', trans. Araceli Cabezon de Diego, Madrid: Alianza, 1988, 337 pp; 2003. Trans. of an abridged version. (in Spanish)
 
** ''[[Media:Schaeffer_Pierre_Tratado_de_los_objetos_musicales.pdf|Tradato de los objetos musicales]]'', trans. Araceli Cabezon de Diego, Madrid: Alianza, 1988, 337 pp; 2003. Trans. of an abridged version. (in Spanish)
 
** Includes the essay [[Media:Schaeffer_Pierre_1966_2004_Acousmatics.pdf|"Acousmatics"]]; trans. Daniel W. Smith, in ''Audio Culture: Readings in Modern Music'', eds. Christoph Cox and Daniel Warner, Bloomsbury, 2004, pp 76-81. (in English). Trained as a radio engineer and announcer, Schaeffer was fascinated by the fact that radio and recording made possible a new experience of sound--what he called "reduced listening" or "acousmatic listening"--that disclosed a new domain of sounds--''objets sonores'' or sonorous objects, the objects of "acousmatic listening".
 
** Includes the essay [[Media:Schaeffer_Pierre_1966_2004_Acousmatics.pdf|"Acousmatics"]]; trans. Daniel W. Smith, in ''Audio Culture: Readings in Modern Music'', eds. Christoph Cox and Daniel Warner, Bloomsbury, 2004, pp 76-81. (in English). Trained as a radio engineer and announcer, Schaeffer was fascinated by the fact that radio and recording made possible a new experience of sound--what he called "reduced listening" or "acousmatic listening"--that disclosed a new domain of sounds--''objets sonores'' or sonorous objects, the objects of "acousmatic listening".
 +
 
* ''La musique concrète'', Paris: PUF, 1967. [http://www.leonardo.info/isast/spec.projects/schaeffer/title1.html]
 
* ''La musique concrète'', Paris: PUF, 1967. [http://www.leonardo.info/isast/spec.projects/schaeffer/title1.html]
 +
 +
* ''Solfège de l'objet sonore'', 1967; Paris: Ina-GRM, 1998. With 3-CD. [http://web.archive.org/web/20080618202246/http://www.ears.dmu.ac.uk/spip.php?page=artBiblio&id_article=124]
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** ''[http://stoa.usp.br/rogercos/files/1695/14056/Solfejodoobjetosonoro(Schaeffer).pdf Solfejo do objecto sonoro]'', trans., notes & comm. Antonio De Sousa Dias, Lisbon, 1996; Paris, 2007. (in Portuguese)
 +
 
* with Sophie Brunet, ''Pierre Schaeffer par Sophie Brunet suivi de Réflexions de Pierre Schaeffer'', Paris: Richard-Masse, 1969. [http://www.leonardo.info/isast/spec.projects/schaeffer/title3.html]
 
* with Sophie Brunet, ''Pierre Schaeffer par Sophie Brunet suivi de Réflexions de Pierre Schaeffer'', Paris: Richard-Masse, 1969. [http://www.leonardo.info/isast/spec.projects/schaeffer/title3.html]
 
* ''Polychrome Portraits'', Paris: Institut national de l'audiovisuel, 2009. [http://browsebriankane.com/wordpress_2.8.5/wp-content/uploads/2012/08/Kane-Vestigial-Schaeffer-scan.pdf Contents].
 
* ''Polychrome Portraits'', Paris: Institut national de l'audiovisuel, 2009. [http://browsebriankane.com/wordpress_2.8.5/wp-content/uploads/2012/08/Kane-Vestigial-Schaeffer-scan.pdf Contents].

Revision as of 17:20, 16 November 2014

GRM team in the studio 54 at Bourdan centre, 1972. Photo: Laszlo Ruszka. [1]
With Marshall McLuhan, 1973. Video.

Pierre Henri Marie Schaeffer (14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist and acoustician. His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime.

Recordings

Films

Pierre Schaeffer, Traité des objets musicaux, 1966.

Publications

(in French unless noted)

Books

  • À la recherche d'une musique concrète, Paris: Seuil, 1952.
  • Traité des objets musicaux, Paris: Seuil, 1966; 2nd ed., 1977.
    • Tradato de los objetos musicales, trans. Araceli Cabezon de Diego, Madrid: Alianza, 1988, 337 pp; 2003. Trans. of an abridged version. (in Spanish)
    • Includes the essay "Acousmatics"; trans. Daniel W. Smith, in Audio Culture: Readings in Modern Music, eds. Christoph Cox and Daniel Warner, Bloomsbury, 2004, pp 76-81. (in English). Trained as a radio engineer and announcer, Schaeffer was fascinated by the fact that radio and recording made possible a new experience of sound--what he called "reduced listening" or "acousmatic listening"--that disclosed a new domain of sounds--objets sonores or sonorous objects, the objects of "acousmatic listening".
  • La musique concrète, Paris: PUF, 1967. [2]
  • Solfège de l'objet sonore, 1967; Paris: Ina-GRM, 1998. With 3-CD. [3]
  • with Sophie Brunet, Pierre Schaeffer par Sophie Brunet suivi de Réflexions de Pierre Schaeffer, Paris: Richard-Masse, 1969. [4]
  • Polychrome Portraits, Paris: Institut national de l'audiovisuel, 2009. Contents.
  • Essai sur la radio et le cinéma, Paris: Allia, 2010, 128 pp. [5]

Essays

Bibliographies

  • Sylvie Dallet, Sophie Brunet, Itinéraires d'un chercheur: bibliographie commentée de l'oeuvre éditée de Pierre Schaeffer / Pierre Schaeffer, a Career in Research: a Commented Bibliography of Published Works, Montreuil: Centre d'Études et de Recherche Pierre Schaeffer, [1997]. (in French/English) [6]
  • Pierre Schaeffer: A Survey of the Literature, compiled by Carlos Palombini, 2001.

Interviews

  • Marc Pierret, Entretiens avec Pierre Schaeffer, Paris: Pierre Belfond, 1969. [7]

Literature

Links