Difference between revisions of "Maja Ciric"
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She has been curating projects and exhibitions in Serbia and abroad, among which: Mobile Studios; Becoming Minor:With or Without?; Offbeat: Look and See The Violence Against Women; Beyond Theory; Negotiating Places; Htmelles; Chain Reaction; Parallax: A View from a Different Angle; Cooperation, not Corporation; I Am What I Am; Acceptable Differences: Pluripotentiality and Painting; | She has been curating projects and exhibitions in Serbia and abroad, among which: Mobile Studios; Becoming Minor:With or Without?; Offbeat: Look and See The Violence Against Women; Beyond Theory; Negotiating Places; Htmelles; Chain Reaction; Parallax: A View from a Different Angle; Cooperation, not Corporation; I Am What I Am; Acceptable Differences: Pluripotentiality and Painting; | ||
| − | She curated the Serbian Pavilion at 52nd Venice Biennale and worked as a cultural developer in Dubai, UAE | + | She curated the Serbian Pavilion at 52nd Venice Biennale and worked as a cultural developer in Dubai, UAE. |
| − | She is a recipient of the Lazar Trifunovic Award for Art Criticism (Belgrade), the CEC ArtsLink Independent Projects Award (New York)and the ISCP Curator Award(New York). She is a member of AICA(International Association of Art Critics), IKT(International association of curators of contemporary art) and ICI(Independent Curators International). | + | She is a recipient of the Lazar Trifunovic Award for Art Criticism (Belgrade), the CEC ArtsLink Independent Projects Award (New York)and the ISCP Curator Award (New York). She is a member of AICA(International Association of Art Critics), IKT(International association of curators of contemporary art) and ICI(Independent Curators International). |
Her curatorial practice complements the mainstream cultural production and produces alternative knowledge about social, political and aesthetic transformations. Her areas of interest include, amongst others, theoretical aspects of curating, curating as institutional critique, gender and neo-colonial issues. | Her curatorial practice complements the mainstream cultural production and produces alternative knowledge about social, political and aesthetic transformations. Her areas of interest include, amongst others, theoretical aspects of curating, curating as institutional critique, gender and neo-colonial issues. | ||
Revision as of 12:48, 16 May 2011
is a freelance curator and an art critic.
She is a citizen of both Belgrade, Serbia and the transnationalrepublic.org.
Holds a BA in Art History from the University of Belgrade, a diploma in Cultural and Gender Studies from AAOM, Belgrade and a diploma of the interdisciplinary postgraduate program Transit Spaces, Bauhaus, Dessau, Germany. She is an alumni of the Gwangju Biennale International Course for Curators. She is a PhD candidate in Art and Media Theory at the University of Arts, Belgrade, Serbia.
She has been curating projects and exhibitions in Serbia and abroad, among which: Mobile Studios; Becoming Minor:With or Without?; Offbeat: Look and See The Violence Against Women; Beyond Theory; Negotiating Places; Htmelles; Chain Reaction; Parallax: A View from a Different Angle; Cooperation, not Corporation; I Am What I Am; Acceptable Differences: Pluripotentiality and Painting;
She curated the Serbian Pavilion at 52nd Venice Biennale and worked as a cultural developer in Dubai, UAE.
She is a recipient of the Lazar Trifunovic Award for Art Criticism (Belgrade), the CEC ArtsLink Independent Projects Award (New York)and the ISCP Curator Award (New York). She is a member of AICA(International Association of Art Critics), IKT(International association of curators of contemporary art) and ICI(Independent Curators International).
Her curatorial practice complements the mainstream cultural production and produces alternative knowledge about social, political and aesthetic transformations. Her areas of interest include, amongst others, theoretical aspects of curating, curating as institutional critique, gender and neo-colonial issues.
