Difference between revisions of "Maja Ciric"

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Holds a BA in Art History from the University of Belgrade, a MA in Cultural and Gender Studies from AAOM, Belgrade and a diploma of the interdisciplinary postgraduate program Transit Spaces, Bauhaus, Dessau, Germany. She is a PhD candidate in Art and Media Theory at the University of Arts, Belgrade, Serbia. She has a Diploma of the Gwangju Biennale International Course for Curators.
 
Holds a BA in Art History from the University of Belgrade, a MA in Cultural and Gender Studies from AAOM, Belgrade and a diploma of the interdisciplinary postgraduate program Transit Spaces, Bauhaus, Dessau, Germany. She is a PhD candidate in Art and Media Theory at the University of Arts, Belgrade, Serbia. She has a Diploma of the Gwangju Biennale International Course for Curators.
She has been curating projects and exhibitions in Serbia and abroad, among which: Mobile Studios; Becoming Minor:With or Without?; Offbeat: Look and See The Violence Against Women; Beyond Theory; Negotiating Places; Htmelles; Chain Reaction; Parallax: A View from a Different Angle. She curated the Serbian Pavilion at 52nd Venice Biennale and worked as a cutlural developer in Dubai, UAE. She is a recipient of the Lazar Trifunovic Award for Art Criticism (Belgrade) and the CEC ArtsLink Independent Projects Award (New York).
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She has been curating projects and exhibitions in Serbia and abroad, among which: Mobile Studios; Becoming Minor:With or Without?; Offbeat: Look and See The Violence Against Women; Beyond Theory; Negotiating Places; Htmelles; Chain Reaction; Parallax: A View from a Different Angle. She curated the Serbian Pavilion at 52nd Venice Biennale and worked as a cutlural developer in Dubai, UAE. She is a recipient of the Lazar Trifunovic Award for Art Criticism (Belgrade) and the CEC ArtsLink Independent Projects Award (New York). She is a member of AICA(International Association of Art Critics) and IKT(International association of curators of contemporary art).
  
 
Her curatorial practice complements the mainstream social discourses and produces alternative knowledge about social, political and aesthetic transformations. Her areas of interest include, amongst others, the methodologies of the curatorial practices, gender  and post-colonial issues.
 
Her curatorial practice complements the mainstream social discourses and produces alternative knowledge about social, political and aesthetic transformations. Her areas of interest include, amongst others, the methodologies of the curatorial practices, gender  and post-colonial issues.

Revision as of 00:06, 1 November 2009

is an independent curator and art critic.

Holds a BA in Art History from the University of Belgrade, a MA in Cultural and Gender Studies from AAOM, Belgrade and a diploma of the interdisciplinary postgraduate program Transit Spaces, Bauhaus, Dessau, Germany. She is a PhD candidate in Art and Media Theory at the University of Arts, Belgrade, Serbia. She has a Diploma of the Gwangju Biennale International Course for Curators. She has been curating projects and exhibitions in Serbia and abroad, among which: Mobile Studios; Becoming Minor:With or Without?; Offbeat: Look and See The Violence Against Women; Beyond Theory; Negotiating Places; Htmelles; Chain Reaction; Parallax: A View from a Different Angle. She curated the Serbian Pavilion at 52nd Venice Biennale and worked as a cutlural developer in Dubai, UAE. She is a recipient of the Lazar Trifunovic Award for Art Criticism (Belgrade) and the CEC ArtsLink Independent Projects Award (New York). She is a member of AICA(International Association of Art Critics) and IKT(International association of curators of contemporary art).

Her curatorial practice complements the mainstream social discourses and produces alternative knowledge about social, political and aesthetic transformations. Her areas of interest include, amongst others, the methodologies of the curatorial practices, gender and post-colonial issues.