Difference between revisions of "Brian Holmes"

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; Book chapters, essays
 
; Book chapters, essays
  
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* [http://eipcp.net/transversal/1106/holmes/en/base_edit "The Flexible Personality: For a New Cultural Critique"], ''transversal'' 1 (2002).
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* [https://transversal.at/transversal/1106/holmes/en "The Flexible Personality: For a New Cultural Critique"], ''transversal'' 1 (2002).
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** [http://eipcp.net/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'' 1 (2002). {{de}}
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** [https://transversal.at/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'' 1 (2002). {{de}}
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** [http://eipcp.net/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
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** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
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** [http://eipcp.net/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
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** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
  
 
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].  
 
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].  
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* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
 
* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
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* [https://monoskop.org/images/f/fe/Apprich_Clemens_Stalder_Felix_Hg_Vergessene_Zukunft_Radikale_Netzkulturen_in_Europa_2012.pdf#page=115 "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern"], in ''[https://monoskop.org/log/?p=20464 Vergessene Zukunft: radikale Netzkulturen in Europa]'', eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. {{de}}
 
* [https://monoskop.org/images/f/fe/Apprich_Clemens_Stalder_Felix_Hg_Vergessene_Zukunft_Radikale_Netzkulturen_in_Europa_2012.pdf#page=115 "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern"], in ''[https://monoskop.org/log/?p=20464 Vergessene Zukunft: radikale Netzkulturen in Europa]'', eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. {{de}}
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* [http://midwestcompass.org/wp-content/uploads/2013/01/Cartography-with-your-feet.pdf "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/]
 
* [http://midwestcompass.org/wp-content/uploads/2013/01/Cartography-with-your-feet.pdf "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/]
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* [http://midwestcompass.org/wp-content/uploads/2013/01/Continental-Drift-2011.pdf "Continental Drift 2011: Argentina / China"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/]
 
* [http://midwestcompass.org/wp-content/uploads/2013/01/Continental-Drift-2011.pdf "Continental Drift 2011: Argentina / China"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/]
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* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
 
* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
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* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
 
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
  

Revision as of 14:17, 10 April 2021

Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.

Publications

Books
Book chapters, essays
  • "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [9]

Interviews

Links

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